https://allanholdsworth.info/ahwiki/index.php?action=history&feed=atom&title=Allan_Holdsworth%3A_An_interview_%28Atavachron_1994%29
Allan Holdsworth: An interview (Atavachron 1994) - Revision history
2026-05-09T12:16:09Z
Revision history for this page on the wiki
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https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5893&oldid=prev
Per at 14:09, 28 October 2023
2023-10-28T14:09:49Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:09, 28 October 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> </del>''[This summary was written by ChatGPT in 2023 based on the article text below.]''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''[This summary was written by ChatGPT in 2023 based on the article text below.]''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5892&oldid=prev
Per at 14:09, 28 October 2023
2023-10-28T14:09:33Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:09, 28 October 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> ''[This summary was written by ChatGPT in 2023 based on the article text below.]''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5764&oldid=prev
Per at 22:26, 26 October 2023
2023-10-26T22:26:48Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:26, 26 October 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
</table>
Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5763&oldid=prev
Per at 22:26, 26 October 2023
2023-10-26T22:26:27Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:26, 26 October 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l5">Line 5:</td>
<td colspan="2" class="diff-lineno">Line 5:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Holdsworth praises Frank Zappa, considering him a self-made musical genius and likening him to Clint Eastwood. He shares personal interactions with Zappa and his admiration for him as both a musician and a person. Holdsworth talks about his musical influences, with a focus on legendary guitarists like Django Reinhardt and Charlie Christian. He elaborates on his unique legato playing style and the significance of prioritizing the musical essence over technical intricacies.''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Holdsworth praises Frank Zappa, considering him a self-made musical genius and likening him to Clint Eastwood. He shares personal interactions with Zappa and his admiration for him as both a musician and a person. Holdsworth talks about his musical influences, with a focus on legendary guitarists like Django Reinhardt and Charlie Christian. He elaborates on his unique legato playing style and the significance of prioritizing the musical essence over technical intricacies.''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''The conversation shifts towards record companies, with Holdsworth expressing his frustration with Restless Records, which owns his catalog, specifically citing issues with album covers and promotional materials.<del style="font-weight: bold; text-decoration: none;">''</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''The conversation shifts towards record companies, with Holdsworth expressing his frustration with Restless Records, which owns his catalog, specifically citing issues with album covers and promotional materials. Holdsworth discusses his discontent with the recording process of the REH video, highlighting problems with audio mixing and his preference for retaining control over his music's sound. He touches on potential collaborations with renowned artists like Sting.''</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">''</del>Holdsworth discusses his discontent with the recording process of the REH video, highlighting problems with audio mixing and his preference for retaining control over his music's sound. He touches on potential collaborations with renowned artists like Sting.''</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td></tr>
</table>
Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5762&oldid=prev
Per at 22:26, 26 October 2023
2023-10-26T22:26:06Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
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<col class="diff-marker" />
<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:26, 26 October 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''''Summary''': In this extensive interview, acclaimed musician Allan Holdsworth covers a diverse array of topics. He begins by discussing his unique approach to music, particularly his preference for instruments like horns over the acoustic guitar. Holdsworth briefly mentions his past collaborations with Jamie Muir and Alan Gowen and the impact of joining Tempest at Jon Hiseman's invitation. The conversation delves into his fascination with UFOs and his deep admiration for jazz saxophonist John Coltrane. Holdsworth expresses his reluctance to teach music at a formal educational level.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''''Summary''': In this extensive interview, acclaimed musician Allan Holdsworth covers a diverse array of topics. He begins by discussing his unique approach to music, particularly his preference for instruments like horns over the acoustic guitar. Holdsworth briefly mentions his past collaborations with Jamie Muir and Alan Gowen and the impact of joining Tempest at Jon Hiseman's invitation. The conversation delves into his fascination with UFOs and his deep admiration for jazz saxophonist John Coltrane. Holdsworth expresses his reluctance to teach music at a formal educational level.<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth provides insights into his perspectives on synthesizers and MIDI technology, emphasizing their roles as tools for musicians to create music. He delves into the development of his baritone guitars and their influence on his recent work. The interview explores the visual aspects of his music, and Holdsworth's reluctance to pigeonhole his compositions into a specific genre, reflecting his down-to-earth approach to music.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''</ins>Holdsworth provides insights into his perspectives on synthesizers and MIDI technology, emphasizing their roles as tools for musicians to create music. He delves into the development of his baritone guitars and their influence on his recent work. The interview explores the visual aspects of his music, and Holdsworth's reluctance to pigeonhole his compositions into a specific genre, reflecting his down-to-earth approach to music.<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth praises Frank Zappa, considering him a self-made musical genius and likening him to Clint Eastwood. He shares personal interactions with Zappa and his admiration for him as both a musician and a person. Holdsworth talks about his musical influences, with a focus on legendary guitarists like Django Reinhardt and Charlie Christian. He elaborates on his unique legato playing style and the significance of prioritizing the musical essence over technical intricacies.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''</ins>Holdsworth praises Frank Zappa, considering him a self-made musical genius and likening him to Clint Eastwood. He shares personal interactions with Zappa and his admiration for him as both a musician and a person. Holdsworth talks about his musical influences, with a focus on legendary guitarists like Django Reinhardt and Charlie Christian. He elaborates on his unique legato playing style and the significance of prioritizing the musical essence over technical intricacies.<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The conversation shifts towards record companies, with Holdsworth expressing his frustration with Restless Records, which owns his catalog, specifically citing issues with album covers and promotional materials.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''</ins>The conversation shifts towards record companies, with Holdsworth expressing his frustration with Restless Records, which owns his catalog, specifically citing issues with album covers and promotional materials.<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth discusses his discontent with the recording process of the REH video, highlighting problems with audio mixing and his preference for retaining control over his music's sound. He touches on potential collaborations with renowned artists like Sting.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''</ins>Holdsworth discusses his discontent with the recording process of the REH video, highlighting problems with audio mixing and his preference for retaining control over his music's sound. He touches on potential collaborations with renowned artists like Sting.<ins style="font-weight: bold; text-decoration: none;">''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''</ins>The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
</table>
Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5761&oldid=prev
Per at 22:25, 26 October 2023
2023-10-26T22:25:15Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:25, 26 October 2023</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Summary: </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''''</ins>Summary<ins style="font-weight: bold; text-decoration: none;">'''</ins>: <ins style="font-weight: bold; text-decoration: none;">In this extensive interview, acclaimed musician </ins>Allan Holdsworth <ins style="font-weight: bold; text-decoration: none;">covers a diverse array of </ins>topics. He <ins style="font-weight: bold; text-decoration: none;">begins by discussing </ins>his <ins style="font-weight: bold; text-decoration: none;">unique </ins>approach to <ins style="font-weight: bold; text-decoration: none;">music</ins>, <ins style="font-weight: bold; text-decoration: none;">particularly </ins>his preference for instruments <ins style="font-weight: bold; text-decoration: none;">like </ins>horns over the acoustic guitar. Holdsworth briefly <ins style="font-weight: bold; text-decoration: none;">mentions </ins>his past collaborations with Jamie Muir and Alan Gowen <ins style="font-weight: bold; text-decoration: none;">and </ins>the impact of <ins style="font-weight: bold; text-decoration: none;">joining Tempest at </ins>Jon Hiseman's invitation. The <ins style="font-weight: bold; text-decoration: none;">conversation </ins>delves into <ins style="font-weight: bold; text-decoration: none;">his fascination with </ins>UFOs <ins style="font-weight: bold; text-decoration: none;">and </ins>his <ins style="font-weight: bold; text-decoration: none;">deep </ins>admiration for <ins style="font-weight: bold; text-decoration: none;">jazz saxophonist </ins>John Coltrane<ins style="font-weight: bold; text-decoration: none;">. Holdsworth expresses </ins>his reluctance to teach music at a <ins style="font-weight: bold; text-decoration: none;">formal educational </ins>level.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Allan Holdsworth<del style="font-weight: bold; text-decoration: none;">, the celebrated musician, discusses various </del>topics <del style="font-weight: bold; text-decoration: none;">in an interview</del>. He <del style="font-weight: bold; text-decoration: none;">addresses </del>his approach to <del style="font-weight: bold; text-decoration: none;">the acoustic guitar</del>, <del style="font-weight: bold; text-decoration: none;">emphasizing </del>his preference for <del style="font-weight: bold; text-decoration: none;">other </del>instruments<del style="font-weight: bold; text-decoration: none;">, such as </del>horns<del style="font-weight: bold; text-decoration: none;">, </del>over the acoustic guitar. Holdsworth briefly <del style="font-weight: bold; text-decoration: none;">touches on </del>his past collaborations with Jamie Muir and Alan Gowen <del style="font-weight: bold; text-decoration: none;">but highlights </del>the impact of Jon Hiseman's invitation <del style="font-weight: bold; text-decoration: none;">to join Tempest</del>. The <del style="font-weight: bold; text-decoration: none;">interview also </del>delves into <del style="font-weight: bold; text-decoration: none;">Holdsworth's thoughts on </del>UFOs<del style="font-weight: bold; text-decoration: none;">, </del>his admiration for John Coltrane<del style="font-weight: bold; text-decoration: none;">, and </del>his reluctance to teach music at a <del style="font-weight: bold; text-decoration: none;">college or university </del>level.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth provides insights into his <del style="font-weight: bold; text-decoration: none;">views </del>on synthesizers and MIDI technology, <del style="font-weight: bold; text-decoration: none;">explaining how they are </del>tools for musicians to create music. He <del style="font-weight: bold; text-decoration: none;">discusses </del>his baritone guitars and <del style="font-weight: bold; text-decoration: none;">how </del>their <del style="font-weight: bold; text-decoration: none;">development has influenced </del>his recent work. The <del style="font-weight: bold; text-decoration: none;">conversation also touches on </del>the visual <del style="font-weight: bold; text-decoration: none;">elements in </del>his music and <del style="font-weight: bold; text-decoration: none;">his </del>reluctance to <del style="font-weight: bold; text-decoration: none;">fit </del>his compositions into a specific genre<del style="font-weight: bold; text-decoration: none;">. Holdsworth's </del>down-to-earth approach to music <del style="font-weight: bold; text-decoration: none;">and his passion for exploring diverse musical avenues shine through in the interview</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth provides insights into his <ins style="font-weight: bold; text-decoration: none;">perspectives </ins>on synthesizers and MIDI technology, <ins style="font-weight: bold; text-decoration: none;">emphasizing their roles as </ins>tools for musicians to create music. He <ins style="font-weight: bold; text-decoration: none;">delves into the development of </ins>his baritone guitars and their <ins style="font-weight: bold; text-decoration: none;">influence on </ins>his recent work. The <ins style="font-weight: bold; text-decoration: none;">interview explores </ins>the visual <ins style="font-weight: bold; text-decoration: none;">aspects of </ins>his music<ins style="font-weight: bold; text-decoration: none;">, </ins>and <ins style="font-weight: bold; text-decoration: none;">Holdsworth's </ins>reluctance to <ins style="font-weight: bold; text-decoration: none;">pigeonhole </ins>his compositions into a specific genre<ins style="font-weight: bold; text-decoration: none;">, reflecting his </ins>down-to-earth approach to music.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">In this interview, Allan </del>Holdsworth <del style="font-weight: bold; text-decoration: none;">shares his thoughts on </del>Frank Zappa <del style="font-weight: bold; text-decoration: none;">and how he saw </del>him <del style="font-weight: bold; text-decoration: none;">as </del>a self-made musical genius<del style="font-weight: bold; text-decoration: none;">, comparing </del>him to Clint Eastwood. He <del style="font-weight: bold; text-decoration: none;">also mentions his </del>personal interactions with Zappa and <del style="font-weight: bold; text-decoration: none;">how he admired </del>him as a musician and a person. Holdsworth talks about his influences, <del style="font-weight: bold; text-decoration: none;">particularly </del>guitarists like Django Reinhardt and Charlie Christian. He <del style="font-weight: bold; text-decoration: none;">discusses </del>his unique legato playing style and the <del style="font-weight: bold; text-decoration: none;">importance </del>of <del style="font-weight: bold; text-decoration: none;">focusing on </del>the <del style="font-weight: bold; text-decoration: none;">music rather than </del>technical <del style="font-weight: bold; text-decoration: none;">details. The interview then shifts to a discussion about record companies and his disappointment with Restless Records, which owns his catalog. Holdsworth expresses frustration with how they handle album covers and promotional materials. The interview concludes with a humorous exchange about the concept of "wankers</del>.<del style="font-weight: bold; text-decoration: none;">"</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth <ins style="font-weight: bold; text-decoration: none;">praises </ins>Frank Zappa<ins style="font-weight: bold; text-decoration: none;">, considering </ins>him a self-made musical genius <ins style="font-weight: bold; text-decoration: none;">and likening </ins>him to Clint Eastwood. He <ins style="font-weight: bold; text-decoration: none;">shares </ins>personal interactions with Zappa and <ins style="font-weight: bold; text-decoration: none;">his admiration for </ins>him as <ins style="font-weight: bold; text-decoration: none;">both </ins>a musician and a person. Holdsworth talks about his <ins style="font-weight: bold; text-decoration: none;">musical </ins>influences, <ins style="font-weight: bold; text-decoration: none;">with a focus on legendary </ins>guitarists like Django Reinhardt and Charlie Christian. He <ins style="font-weight: bold; text-decoration: none;">elaborates on </ins>his unique legato playing style and the <ins style="font-weight: bold; text-decoration: none;">significance </ins>of <ins style="font-weight: bold; text-decoration: none;">prioritizing </ins>the <ins style="font-weight: bold; text-decoration: none;">musical essence over </ins>technical <ins style="font-weight: bold; text-decoration: none;">intricacies</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">In this interview</del>, <del style="font-weight: bold; text-decoration: none;">Allan </del>Holdsworth <del style="font-weight: bold; text-decoration: none;">expresses </del>his <del style="font-weight: bold; text-decoration: none;">displeasure </del>with <del style="font-weight: bold; text-decoration: none;">the recording process of the REH video and discusses the issues that arose during the recording. The main problem was that the drums were sub-grouped to the guitar track</del>, <del style="font-weight: bold; text-decoration: none;">making it impossible for him to properly mix the audio. He also touches on the idea of collaborating with high-profile artists like Sting and the importance of controlling the sound of </del>his <del style="font-weight: bold; text-decoration: none;">music. Additionally</del>, <del style="font-weight: bold; text-decoration: none;">he shares his thoughts on producing his own music and the challenges of working </del>with <del style="font-weight: bold; text-decoration: none;">other musicians on their projects, highlighting a recent negative experience where his guitar tracks were heavily processed without his consent. Holdsworth emphasizes the importance of having full control over the sound </del>and <del style="font-weight: bold; text-decoration: none;">creative process in his music</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The conversation shifts towards record companies</ins>, <ins style="font-weight: bold; text-decoration: none;">with </ins>Holdsworth <ins style="font-weight: bold; text-decoration: none;">expressing </ins>his <ins style="font-weight: bold; text-decoration: none;">frustration </ins>with <ins style="font-weight: bold; text-decoration: none;">Restless Records</ins>, <ins style="font-weight: bold; text-decoration: none;">which owns </ins>his <ins style="font-weight: bold; text-decoration: none;">catalog</ins>, <ins style="font-weight: bold; text-decoration: none;">specifically citing issues </ins>with <ins style="font-weight: bold; text-decoration: none;">album covers </ins>and <ins style="font-weight: bold; text-decoration: none;">promotional materials</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Holdsworth discusses his discontent with the recording process of the REH video, highlighting problems with audio mixing and his preference for retaining control over his music's sound. He touches on potential collaborations with renowned artists like Sting.</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The interview concludes with Holdsworth discussing his evolving instruments, particularly baritone guitars and headless guitar designs. He believes these custom-tuned guitars can have broader appeal. He also expresses an interest in synthesizers and mentions a humorous English joke left unshared. Throughout the interview, Holdsworth's commitment to innovation and individuality in his music and instrument design shines brightly.''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
</table>
Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5760&oldid=prev
Per at 22:21, 26 October 2023
2023-10-26T22:21:56Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
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<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:21, 26 October 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l6">Line 6:</td>
<td colspan="2" class="diff-lineno">Line 6:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In this interview, Allan Holdsworth shares his thoughts on Frank Zappa and how he saw him as a self-made musical genius, comparing him to Clint Eastwood. He also mentions his personal interactions with Zappa and how he admired him as a musician and a person. Holdsworth talks about his influences, particularly guitarists like Django Reinhardt and Charlie Christian. He discusses his unique legato playing style and the importance of focusing on the music rather than technical details. The interview then shifts to a discussion about record companies and his disappointment with Restless Records, which owns his catalog. Holdsworth expresses frustration with how they handle album covers and promotional materials. The interview concludes with a humorous exchange about the concept of "wankers."</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In this interview, Allan Holdsworth shares his thoughts on Frank Zappa and how he saw him as a self-made musical genius, comparing him to Clint Eastwood. He also mentions his personal interactions with Zappa and how he admired him as a musician and a person. Holdsworth talks about his influences, particularly guitarists like Django Reinhardt and Charlie Christian. He discusses his unique legato playing style and the importance of focusing on the music rather than technical details. The interview then shifts to a discussion about record companies and his disappointment with Restless Records, which owns his catalog. Holdsworth expresses frustration with how they handle album covers and promotional materials. The interview concludes with a humorous exchange about the concept of "wankers."</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Found [https://web</del>.<del style="font-weight: bold; text-decoration: none;">archive</del>.<del style="font-weight: bold; text-decoration: none;">org/web/19970626153450/http://www</del>.<del style="font-weight: bold; text-decoration: none;">addimension</del>.<del style="font-weight: bold; text-decoration: none;">com/atav/docs/c_hoard.int.html here]</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In this interview, Allan Holdsworth expresses his displeasure with the recording process of the REH video and discusses the issues that arose during the recording</ins>. <ins style="font-weight: bold; text-decoration: none;">The main problem was that the drums were sub-grouped to the guitar track, making it impossible for him to properly mix the audio</ins>. <ins style="font-weight: bold; text-decoration: none;">He also touches on the idea of collaborating with high-profile artists like Sting and the importance of controlling the sound of his music</ins>. <ins style="font-weight: bold; text-decoration: none;">Additionally, he shares his thoughts on producing his own music and the challenges of working with other musicians on their projects, highlighting a recent negative experience where his guitar tracks were heavily processed without his consent</ins>. <ins style="font-weight: bold; text-decoration: none;">Holdsworth emphasizes the importance of having full control over the sound and creative process in his music</ins>.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Allan Holdsworth: An Interview ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Originally published on the Atavachron web site</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Originally published on the Atavachron </del>web <del style="font-weight: bold; text-decoration: none;">site</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Found [https://</ins>web<ins style="font-weight: bold; text-decoration: none;">.archive.org/web/19970626153450/http://www.addimension.com/atav/docs/c_hoard.int.html here].</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Chris Hoard (with assistance and diatribe from Mick Porter and Ken Kubernik)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Chris Hoard (with assistance and diatribe from Mick Porter and Ken Kubernik)</div></td></tr>
</table>
Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5759&oldid=prev
Per at 22:19, 26 October 2023
2023-10-26T22:19:35Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:19, 26 October 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
<td colspan="2" class="diff-lineno">Line 3:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth provides insights into his views on synthesizers and MIDI technology, explaining how they are tools for musicians to create music. He discusses his baritone guitars and how their development has influenced his recent work. The conversation also touches on the visual elements in his music and his reluctance to fit his compositions into a specific genre. Holdsworth's down-to-earth approach to music and his passion for exploring diverse musical avenues shine through in the interview.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Holdsworth provides insights into his views on synthesizers and MIDI technology, explaining how they are tools for musicians to create music. He discusses his baritone guitars and how their development has influenced his recent work. The conversation also touches on the visual elements in his music and his reluctance to fit his compositions into a specific genre. Holdsworth's down-to-earth approach to music and his passion for exploring diverse musical avenues shine through in the interview.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In this interview, Allan Holdsworth shares his thoughts on Frank Zappa and how he saw him as a self-made musical genius, comparing him to Clint Eastwood. He also mentions his personal interactions with Zappa and how he admired him as a musician and a person. Holdsworth talks about his influences, particularly guitarists like Django Reinhardt and Charlie Christian. He discusses his unique legato playing style and the importance of focusing on the music rather than technical details. The interview then shifts to a discussion about record companies and his disappointment with Restless Records, which owns his catalog. Holdsworth expresses frustration with how they handle album covers and promotional materials. The interview concludes with a humorous exchange about the concept of "wankers."</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Found [https://web.archive.org/web/19970626153450/http://www.addimension.com/atav/docs/c_hoard.int.html here].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Found [https://web.archive.org/web/19970626153450/http://www.addimension.com/atav/docs/c_hoard.int.html here].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Allan Holdsworth: An Interview</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== </ins>Allan Holdsworth: An Interview <ins style="font-weight: bold; text-decoration: none;">==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Originally published on the Atavachron web site</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Originally published on the Atavachron web site</div></td></tr>
</table>
Per
https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=5758&oldid=prev
Per at 22:17, 26 October 2023
2023-10-26T22:17:40Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:17, 26 October 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Summary: </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Allan Holdsworth, the celebrated musician, discusses various topics in an interview. He addresses his approach to the acoustic guitar, emphasizing his preference for other instruments, such as horns, over the acoustic guitar. Holdsworth briefly touches on his past collaborations with Jamie Muir and Alan Gowen but highlights the impact of Jon Hiseman's invitation to join Tempest. The interview also delves into Holdsworth's thoughts on UFOs, his admiration for John Coltrane, and his reluctance to teach music at a college or university level.</ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Holdsworth provides insights into his views on synthesizers and MIDI technology, explaining how they are tools for musicians to create music. He discusses his baritone guitars and how their development has influenced his recent work. The conversation also touches on the visual elements in his music and his reluctance to fit his compositions into a specific genre. Holdsworth's down-to-earth approach to music and his passion for exploring diverse musical avenues shine through in the interview.</ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Found [https://web.archive.org/web/19970626153450/http://www.addimension.com/atav/docs/c_hoard.int.html here].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Found [https://web.archive.org/web/19970626153450/http://www.addimension.com/atav/docs/c_hoard.int.html here].</div></td></tr>
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https://allanholdsworth.info/ahwiki/index.php?title=Allan_Holdsworth:_An_interview_(Atavachron_1994)&diff=4039&oldid=prev
Per at 01:41, 19 March 2021
2021-03-19T01:41:41Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:41, 19 March 2021</td>
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