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	<id>https://allanholdsworth.info/ahwiki/index.php?action=history&amp;feed=atom&amp;title=Future_Of_The_Guitar_%28Guitar_Player_1990%29</id>
	<title>Future Of The Guitar (Guitar Player 1990) - Revision history</title>
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	<updated>2026-05-09T10:20:17Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://allanholdsworth.info/ahwiki/index.php?title=Future_Of_The_Guitar_(Guitar_Player_1990)&amp;diff=3995&amp;oldid=prev</id>
		<title>Per at 08:07, 29 December 2020</title>
		<link rel="alternate" type="text/html" href="https://allanholdsworth.info/ahwiki/index.php?title=Future_Of_The_Guitar_(Guitar_Player_1990)&amp;diff=3995&amp;oldid=prev"/>
		<updated>2020-12-29T08:07:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:07, 29 December 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Line 6:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Things will probably keep getting more and more diverse. For a while there, the guitar was getting pretty seriously into the speed/metal thing, and there are so many other players outside that field who play incredibly. I&amp;#039;m just hoping that people will hear these other things, and it&amp;#039;ll grow out again. Jazz is already going through those changes, where you get people who are coming out of a bebop thing and then doing something else, and then you get other guys who hear that and veer off. It&amp;#039;s like what Scott Henderson was telling me once - he&amp;#039;d play some bebop lines to some of his students at school and they&amp;#039;d all say, &amp;quot;Yuck,&amp;quot; and then he&amp;#039;d play the same lines with a distorted tone and they&amp;#039;d all say, &amp;quot;Yeah!&amp;quot; Part of it is just the appeal of the sound of the instrument, and as people start spreading styles and ideas around and taking it into different areas, it will just keep moving, and who knows where it&amp;#039;s going to stop?&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Things will probably keep getting more and more diverse. For a while there, the guitar was getting pretty seriously into the speed/metal thing, and there are so many other players outside that field who play incredibly. I&amp;#039;m just hoping that people will hear these other things, and it&amp;#039;ll grow out again. Jazz is already going through those changes, where you get people who are coming out of a bebop thing and then doing something else, and then you get other guys who hear that and veer off. It&amp;#039;s like what Scott Henderson was telling me once - he&amp;#039;d play some bebop lines to some of his students at school and they&amp;#039;d all say, &amp;quot;Yuck,&amp;quot; and then he&amp;#039;d play the same lines with a distorted tone and they&amp;#039;d all say, &amp;quot;Yeah!&amp;quot; Part of it is just the appeal of the sound of the instrument, and as people start spreading styles and ideas around and taking it into different areas, it will just keep moving, and who knows where it&amp;#039;s going to stop?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>Per</name></author>
	</entry>
	<entry>
		<id>https://allanholdsworth.info/ahwiki/index.php?title=Future_Of_The_Guitar_(Guitar_Player_1990)&amp;diff=94&amp;oldid=prev</id>
		<title>Per: Created page with &quot;The Future Of The Guitar: Spreading styles and ideas  Guitar Player, January 1990  Matt Resnicoff  Things will probably keep getting more and more diverse. For a while there,...&quot;</title>
		<link rel="alternate" type="text/html" href="https://allanholdsworth.info/ahwiki/index.php?title=Future_Of_The_Guitar_(Guitar_Player_1990)&amp;diff=94&amp;oldid=prev"/>
		<updated>2017-06-20T09:33:25Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;The Future Of The Guitar: Spreading styles and ideas  Guitar Player, January 1990  Matt Resnicoff  Things will probably keep getting more and more diverse. For a while there,...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The Future Of The Guitar: Spreading styles and ideas&lt;br /&gt;
&lt;br /&gt;
Guitar Player, January 1990&lt;br /&gt;
&lt;br /&gt;
Matt Resnicoff&lt;br /&gt;
&lt;br /&gt;
Things will probably keep getting more and more diverse. For a while there, the guitar was getting pretty seriously into the speed/metal thing, and there are so many other players outside that field who play incredibly. I&amp;#039;m just hoping that people will hear these other things, and it&amp;#039;ll grow out again. Jazz is already going through those changes, where you get people who are coming out of a bebop thing and then doing something else, and then you get other guys who hear that and veer off. It&amp;#039;s like what Scott Henderson was telling me once - he&amp;#039;d play some bebop lines to some of his students at school and they&amp;#039;d all say, &amp;quot;Yuck,&amp;quot; and then he&amp;#039;d play the same lines with a distorted tone and they&amp;#039;d all say, &amp;quot;Yeah!&amp;quot; Part of it is just the appeal of the sound of the instrument, and as people start spreading styles and ideas around and taking it into different areas, it will just keep moving, and who knows where it&amp;#039;s going to stop?&lt;/div&gt;</summary>
		<author><name>Per</name></author>
	</entry>
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