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	<id>https://allanholdsworth.info/ahwiki/index.php?action=history&amp;feed=atom&amp;title=Neve</id>
	<title>Neve - Revision history</title>
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	<updated>2026-04-19T07:14:24Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://allanholdsworth.info/ahwiki/index.php?title=Neve&amp;diff=2341&amp;oldid=prev</id>
		<title>Per: Created page with &quot; ==At home in the Brewery (Home Recording 1997)==     For that direct-as-possible sound, Holdsworth has collected and used a variety of mic preamps, both stand-alone units...&quot;</title>
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		<updated>2018-11-29T07:03:48Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; ==&lt;a href=&quot;/ahwiki/index.php/At_home_in_the_Brewery_(Home_Recording_1997)&quot; title=&quot;At home in the Brewery (Home Recording 1997)&quot;&gt;At home in the Brewery (Home Recording 1997)&lt;/a&gt;==     For that direct-as-possible sound, Holdsworth has collected and used a variety of mic preamps, both stand-alone units...&amp;quot;&lt;/p&gt;
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==[[At home in the Brewery (Home Recording 1997)]]== &lt;br /&gt;
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For that direct-as-possible sound, Holdsworth has collected and used a variety of mic preamps, both stand-alone units and ones pulled from mixing consoles. &amp;quot;I have access to some Neve modules that belong to a friend of mine, the 1073&amp;#039;s, and I have two AMEK preamp/equalizers that were designed by Rupert Neve, and I have a James Demeter mic preamp which is absolutely wonderful on some things. I think possibly the best one I&amp;#039;ve ever used was made by Millennia, but I couldn&amp;#039;t afford it. The guy who lent it to me was really generous because he let me keep it for a long time. I was kind of sad to see it go.&amp;quot;&lt;br /&gt;
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==[[Strong stuff from the brewery (EQ magazine 1997)]]== &lt;br /&gt;
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The studio is based around a 44-input Trident console and Yamaha NS40 monitors driven by a UREA power amp. The outboard gear on hand includes a Demeter mic preamp, two Neve mic and line amps, a GAL 5-band stereo parametric EQ, and a pair of Trident TSM EQ modules. &amp;quot;In the studio, I mostly use old single-delay lines, in pairs,&amp;quot; says Holdsworth. &amp;quot;I have bunch of old Yamaha 1500&amp;#039;s I use for that. The digital effects all date from the days before multiprocessors. The only multiprocessors I have are Rocktron Intellifexes, which I like a lot. But I use those mainly for live work. I don&amp;#039;t actually own a really good reverb. I usually rent one when I need one. I used to have an AMS 1580S and RMX-16, but I sold those to Steve Vai a long time ago and could never afford to buy them back.&amp;quot;&lt;/div&gt;</summary>
		<author><name>Per</name></author>
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