Pearce amps - Revision history

Per at 22:19, 2 December 2018

2018-12-02T22:19:17Z

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	HOLDSWORTH: [warmly] Yeah, I’ve got them out in the garage. I couldn’t sell them because they mean too much to me, in nostalgic terms. I stopped using the Hartley - Thompsons when I started using Dan '''Pearce'''’s amplifiers. The Rocktron stuff is great, and they’re really, really nice people. It’s tough as a musician with regard to those things.		HOLDSWORTH: [warmly] Yeah, I’ve got them out in the garage. I couldn’t sell them because they mean too much to me, in nostalgic terms. I stopped using the Hartley - Thompsons when I started using Dan '''Pearce'''’s amplifiers. The Rocktron stuff is great, and they’re really, really nice people. It’s tough as a musician with regard to those things.
			[[Category:Amps]]

Per at 21:42, 5 March 2018

2018-03-05T21:42:54Z

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	~~==[[Guitar Synths in Jazz (Music Technology 1987)]]==~~

	~~Allan drives the box with a '''Pearce''' amp head, and listens to it over studio monitors when he’s recording, though he has found this system to be equally indispensable in live performance.~~

	==[[Allan Holdsworth (Guitarist 1985)]]==		==[[Allan Holdsworth (Guitarist 1985)]]==

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	The amps I’m using at the moment are made by a small and fairly new company called '''Pearce''' Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!		The amps I’m using at the moment are made by a small and fairly new company called '''Pearce''' Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!

			==[[Guitar Synths in Jazz (Music Technology 1987)]]==

			Allan drives the box with a '''Pearce''' amp head, and listens to it over studio monitors when he’s recording, though he has found this system to be equally indispensable in live performance.

	==[[The Unreachable Star (Guitar World 1989)]]==		==[[The Unreachable Star (Guitar World 1989)]]==

Per: /* Guitar Synths in Jazz (Music Technology 1987) */

2018-03-05T21:41:17Z

Guitar Synths in Jazz (Music Technology 1987)

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	==[[Guitar Synths in Jazz (Music Technology 1987)]]==		==[[Guitar Synths in Jazz (Music Technology 1987)]]==

	Allan drives the box with a Pearce amp head, and listens to it over studio monitors when he’s recording, though he has found this system to be equally indispensable in live performance.		Allan drives the box with a '''Pearce''' amp head, and listens to it over studio monitors when he’s recording, though he has found this system to be equally indispensable in live performance.

	==[[Allan Holdsworth (Guitarist 1985)]]==		==[[Allan Holdsworth (Guitarist 1985)]]==

Per: /* Allan Holdsworth (Guitarist 1985) */

2018-03-05T21:41:01Z

Allan Holdsworth (Guitarist 1985)

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	Do you prefer any particular amplifier?		Do you prefer any particular amplifier?

	The amps I’m using at the moment are made by a small and fairly new company called Pearce Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!		The amps I’m using at the moment are made by a small and fairly new company called '''Pearce''' Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!

	==[[The Unreachable Star (Guitar World 1989)]]==		==[[The Unreachable Star (Guitar World 1989)]]==

Per: /* Allan Holdsworth (Guitarist 1985) */

2018-03-05T21:40:42Z

Allan Holdsworth (Guitarist 1985)

← Older revision		Revision as of 21:40, 5 March 2018
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	The amps I’m using at the moment are made by a small and fairly new company called Pearce Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!		The amps I’m using at the moment are made by a small and fairly new company called Pearce Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!


	==[[The Unreachable Star (Guitar World 1989)]]==		==[[The Unreachable Star (Guitar World 1989)]]==

Per: /* The Unreachable Star (Guitar World 1989) */

2018-03-05T21:40:32Z

The Unreachable Star (Guitar World 1989)

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	GW: Well, you certainly use what you say you use; there’s a bevy of Rocktron gear in here. One thing I don’t see, though, is a single Hartley-Thompson amplifier.		GW: Well, you certainly use what you say you use; there’s a bevy of Rocktron gear in here. One thing I don’t see, though, is a single Hartley-Thompson amplifier.

	HOLDSWORTH: [warmly] Yeah, I’ve got them out in the garage. I couldn’t sell them because they mean too much to me, in nostalgic terms. I stopped using the Hartley - Thompsons when I started using Dan ~~Pearce’s~~ amplifiers. The Rocktron stuff is great, and they’re really, really nice people. It’s tough as a musician with regard to those things.		HOLDSWORTH: [warmly] Yeah, I’ve got them out in the garage. I couldn’t sell them because they mean too much to me, in nostalgic terms. I stopped using the Hartley - Thompsons when I started using Dan '''Pearce'''’s amplifiers. The Rocktron stuff is great, and they’re really, really nice people. It’s tough as a musician with regard to those things.

Per at 21:40, 5 March 2018

2018-03-05T21:40:14Z

← Older revision		Revision as of 21:40, 5 March 2018
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	The amps I’m using at the moment are made by a small and fairly new company called Pearce Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!		The amps I’m using at the moment are made by a small and fairly new company called Pearce Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!


			==[[The Unreachable Star (Guitar World 1989)]]==
			GW: Well, you certainly use what you say you use; there’s a bevy of Rocktron gear in here. One thing I don’t see, though, is a single Hartley-Thompson amplifier.

			HOLDSWORTH: [warmly] Yeah, I’ve got them out in the garage. I couldn’t sell them because they mean too much to me, in nostalgic terms. I stopped using the Hartley - Thompsons when I started using Dan Pearce’s amplifiers. The Rocktron stuff is great, and they’re really, really nice people. It’s tough as a musician with regard to those things.

Per: Created page with "==Guitar Synths in Jazz (Music Technology 1987)== Allan drives the box with a Pearce amp head, and listens to it over studio monitors when he’s recording, though he has..."

2018-03-05T21:22:22Z

Created page with "==Guitar Synths in Jazz (Music Technology 1987)== Allan drives the box with a Pearce amp head, and listens to it over studio monitors when he’s recording, though he has..."

New page

==[[Guitar Synths in Jazz (Music Technology 1987)]]==

Allan drives the box with a Pearce amp head, and listens to it over studio monitors when he’s recording, though he has found this system to be equally indispensable in live performance.

==[[Allan Holdsworth (Guitarist 1985)]]==

Do you prefer any particular amplifier?

The amps I’m using at the moment are made by a small and fairly new company called Pearce Electronics, out in New York. They are all solid-state with independent effects send and return loops for each channel, so you can set two of them up for stereo lead and stereo rhythm. The other great thing is that they are so portable; they only take up a single rack mounting space. They’re great!