Sand (album) - Revision history

Per: /* Track listing */

2023-11-06T11:56:03Z

Track listing

← Older revision		Revision as of 11:56, 6 November 2023
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	==Track listing==		==Track listing==
	{\|class='wikitable'		{\|class='wikitable'
	\|+Allan Holdsworth: Sand ([[Allan Holdsworth Discography\|D]] - [[Allan Holdsworth Solo Albums\|S]])		\|+Allan Holdsworth: Sand ([[Allan Holdsworth Discography\|D]] - [[Allan Holdsworth Solo Albums\|S]]) ([https://www.youtube.com/playlist?list=OLAK5uy_mNAYj_5SNIedcGDJMX89JFHf3rXvY7uJk YT])
	\|-		\|-
	!		!

Per: /* Links */

2023-10-31T12:42:26Z

Links

← Older revision		Revision as of 12:42, 31 October 2023
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	A: First of all, the newest one. And others are solo albums; ìWardenclyffe towerîîI.O.U.îîAtavacronîî'''Sand'''î and ìSecretsî.		A: First of all, the newest one. And others are solo albums; ìWardenclyffe towerîîI.O.U.îîAtavacronîî'''Sand'''î and ìSecretsî.

	==Links==		=Links=
	YouTube playlist https://www.youtube.com/playlist?list=OLAK5uy_mNAYj_5SNIedcGDJMX89JFHf3rXvY7uJk		YouTube playlist https://www.youtube.com/playlist?list=OLAK5uy_mNAYj_5SNIedcGDJMX89JFHf3rXvY7uJk

Per at 12:41, 31 October 2023

2023-10-31T12:41:01Z

← Older revision		Revision as of 12:41, 31 October 2023
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	[[File:Sand.jpg\|200px\|right]]"Sand" is a 1986 solo album by Allan Holdsworth. Following in the footsteps of "Atavachron", "Sand" leans even more heavily into the SynthAxe: The only guitar playing on the entire album consists of two guitar solos on "Pud Wud" and "The 4.15 Bradford Executive". The album is all instrumental, with ~~even more~~ jazz weight, while also perhaps being even more influenced by classical music. "Sand", "Pud Wud", and "Clown" are continuations of the direction from "Atavachron", with ensemble pieces with themes that lay the foundation for improvisation. But on "Distance vs Desire", Allan plays a SynthAxe duet with himself in a rubato tempo. It is perhaps one of his emotionally most moving pieces. "Bradford Executive" is like a genre all its own, starting with a soundtrack-esque train ride programmed on Allan's computer, before moving into a free flowing improvisation with Chad Wackerman, and one of Allan's longest and most cinematic guitar solos on record. The album ends with the peculiar "Mac Man", where Allan once again applies a sequencer on an avant-gardish composition. Here, he even plays his SynthAxe through a Marshall stack!		[[File:Sand.jpg\|200px\|right]]"Sand" is a 1986 solo album by Allan Holdsworth. Following in the footsteps of "Atavachron", "Sand" leans even more heavily into the SynthAxe: The only guitar playing on the entire album consists of two guitar solos on "Pud Wud" and "The 4.15 Bradford Executive". The album is all instrumental, with a lot of jazz weight, while also perhaps being even more influenced by classical music. "Sand", "Pud Wud", and "Clown" are continuations of the direction from "Atavachron", with ensemble pieces with themes that lay the foundation for improvisation. But on "Distance vs Desire", Allan plays a SynthAxe duet with himself in a rubato tempo. It is perhaps one of his emotionally most moving pieces. "Bradford Executive" is like a genre all its own, starting with a soundtrack-esque train ride programmed on Allan's computer, before moving into a free flowing improvisation with Chad Wackerman, and one of Allan's longest and most cinematic guitar solos on record. The album ends with the peculiar "Mac Man", where Allan once again applies a sequencer on an avant-gardish composition. Here, he even plays his SynthAxe through a Marshall stack!

	This album also represented something new in Allan's working method: For the first time, he took the basic tracks with him home from the studio, and overdubbed in his garage on a rented tape machine. Here, he was allowed to spend as much time as he wanted on his guitar sound. He built himself custom speaker boxes that allowed him to record the amps at full volume, while not keeping the neighborhood awake.		This album also represented something new in Allan's working method: For the first time, he took the basic tracks with him home from the studio, and overdubbed in his garage on a rented tape machine. Here, he was allowed to spend as much time as he wanted on his guitar sound. He built himself custom speaker boxes that allowed him to record the amps at full volume, while not keeping the neighborhood awake.

Per: /* Links */

2023-10-31T12:40:11Z

Links

← Older revision		Revision as of 12:40, 31 October 2023
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	==Links==		==Links==
	~~http~~://~~threadoflunacy~~.~~blogspot~~.no/~~2017/08/19-sand-1987.html~~		YouTube playlist https://www.youtube.com/playlist?list=OLAK5uy_mNAYj_5SNIedcGDJMX89JFHf3rXvY7uJk

	~~https~~://~~www~~.~~discogs~~.~~com~~/~~master~~/~~37369~~-~~Allan~~-~~Holdsworth-Sand~~		Ed's Blog: http://threadoflunacy.blogspot.no/2017/08/19-sand-1987.html

			Discogs: https://www.discogs.com/master/37369-Allan-Holdsworth-Sand

			Wikipedia: https://en.wikipedia.org/wiki/Sand_(album)
	[[Category:Solo albums]][[Category:Discography]]		[[Category:Solo albums]][[Category:Discography]]

Per: /* Links */

2023-10-31T08:09:21Z

Links

← Older revision		Revision as of 08:09, 31 October 2023
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	==Links==		==Links==
	http://threadoflunacy.blogspot.no/2017/08/19-sand-1987.html		http://threadoflunacy.blogspot.no/2017/08/19-sand-1987.html

			https://www.discogs.com/master/37369-Allan-Holdsworth-Sand


	[[Category:Solo albums]][[Category:Discography]]		[[Category:Solo albums]][[Category:Discography]]

Per: /* Quotes on Sand summarized */

2023-10-26T17:11:06Z

Quotes on Sand summarized

← Older revision		Revision as of 17:11, 26 October 2023
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	Holdsworth's experimentation with recording techniques, such as using multiple amplifiers and microphones to capture different tones, demonstrated his constant search for the perfect sound. He acknowledged that his playing and music were continuously evolving, and he had a deep commitment to learning and exploring new musical possibilities.		Holdsworth's experimentation with recording techniques, such as using multiple amplifiers and microphones to capture different tones, demonstrated his constant search for the perfect sound. He acknowledged that his playing and music were continuously evolving, and he had a deep commitment to learning and exploring new musical possibilities.

	Overall, "Sand" represented Holdsworth's unwavering commitment to his artistic vision and his willingness to embrace technology and innovation in pursuit of his unique musical expression.		Overall, "Sand" represented Holdsworth's unwavering commitment to his artistic vision and his willingness to embrace technology and innovation in pursuit of his unique musical expression. ''[This summary was written by ChatGPT in 2023 based on the quotes below.]''

	=Quotes on "Sand"=		=Quotes on "Sand"=

Per at 22:14, 17 October 2023

2023-10-17T22:14:46Z

← Older revision		Revision as of 22:14, 17 October 2023
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	[[File:Sand.jpg\|200px\|right]]Following in the footsteps of "Atavachron", "Sand" leans even more heavily into the SynthAxe: The only guitar playing on the entire album consists of two guitar solos on "Pud Wud" and "The 4.15 Bradford Executive". The album is all instrumental, with even more jazz weight, while also perhaps being even more influenced by classical music. "Sand", "Pud Wud", and "Clown" are continuations of the direction from "Atavachron", with ensemble pieces with themes that lay the foundation for improvisation. But on "Distance vs Desire", Allan plays a SynthAxe duet with himself in a rubato tempo. It is perhaps one of his emotionally most moving pieces. "Bradford Executive" is like a genre all its own, starting with a soundtrack-esque train ride programmed on Allan's computer, before moving into a free flowing improvisation with Chad Wackerman, and one of Allan's longest and most cinematic guitar solos on record. The album ends with the peculiar "Mac Man", where Allan once again applies a sequencer on an avant-gardish composition. Here, he even plays his SynthAxe through a Marshall stack!		[[File:Sand.jpg\|200px\|right]]"Sand" is a 1986 solo album by Allan Holdsworth. Following in the footsteps of "Atavachron", "Sand" leans even more heavily into the SynthAxe: The only guitar playing on the entire album consists of two guitar solos on "Pud Wud" and "The 4.15 Bradford Executive". The album is all instrumental, with even more jazz weight, while also perhaps being even more influenced by classical music. "Sand", "Pud Wud", and "Clown" are continuations of the direction from "Atavachron", with ensemble pieces with themes that lay the foundation for improvisation. But on "Distance vs Desire", Allan plays a SynthAxe duet with himself in a rubato tempo. It is perhaps one of his emotionally most moving pieces. "Bradford Executive" is like a genre all its own, starting with a soundtrack-esque train ride programmed on Allan's computer, before moving into a free flowing improvisation with Chad Wackerman, and one of Allan's longest and most cinematic guitar solos on record. The album ends with the peculiar "Mac Man", where Allan once again applies a sequencer on an avant-gardish composition. Here, he even plays his SynthAxe through a Marshall stack!

	This album also represented something new in Allan's working method: For the first time, he took the basic tracks with him home from the studio, and overdubbed in his garage on a rented tape machine. Here, he was allowed to spend as much time as he wanted on his guitar sound. He built himself custom speaker boxes that allowed him to record the amps at full volume, while not keeping the neighborhood awake.		This album also represented something new in Allan's working method: For the first time, he took the basic tracks with him home from the studio, and overdubbed in his garage on a rented tape machine. Here, he was allowed to spend as much time as he wanted on his guitar sound. He built himself custom speaker boxes that allowed him to record the amps at full volume, while not keeping the neighborhood awake.

Per: /* Track listing */

2023-10-17T22:14:19Z

Track listing

← Older revision		Revision as of 22:14, 17 October 2023
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	'''Alan Pasqua''': Keyboards on "Pud Wud"<br>		'''Alan Pasqua''': Keyboards on "Pud Wud"<br>
	'''Biff Vincent''': Octapad on "Mac Man"<br>		'''Biff Vincent''': Octapad on "Mac Man"<br>
	'''John England''': Programming on "Mac Man"~~<br>~~		'''John England''': Programming on "Mac Man"


	=Quotes on Sand summarized=		=Quotes on Sand summarized=

Per at 22:13, 17 October 2023

2023-10-17T22:13:47Z

← Older revision		Revision as of 22:13, 17 October 2023
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	[[File:Sand.jpg\|200px\|right]]Following in the footsteps of "Atavachron", "Sand" leans even more heavily into the SynthAxe: The only guitar playing on the entire album consists of two guitar solos on "Pud Wud" and "The 4.15 Bradford Executive". The album is all instrumental, ~~and leans~~ even more ~~heavily into the~~ jazz ~~corner~~, while also perhaps being even more influenced by classical music. "Sand", "Pud Wud", and "Clown" are continuations of the direction from "Atavachron", with ensemble pieces with themes that lay the foundation for improvisation. But on "Distance vs Desire", Allan plays a SynthAxe duet with himself in a rubato tempo. It is perhaps one of his emotionally most moving pieces. "Bradford Executive" is like a genre all its own, starting with a soundtrack-esque train ride programmed on Allan's computer, before moving into a free flowing improvisation with Chad Wackerman, and one of Allan's longest and most cinematic guitar solos on record. The album ends with the peculiar "Mac Man", where Allan once again applies a sequencer on an avant-gardish composition. Here, he even plays his SynthAxe through a Marshall stack!		[[File:Sand.jpg\|200px\|right]]Following in the footsteps of "Atavachron", "Sand" leans even more heavily into the SynthAxe: The only guitar playing on the entire album consists of two guitar solos on "Pud Wud" and "The 4.15 Bradford Executive". The album is all instrumental, with even more jazz weight, while also perhaps being even more influenced by classical music. "Sand", "Pud Wud", and "Clown" are continuations of the direction from "Atavachron", with ensemble pieces with themes that lay the foundation for improvisation. But on "Distance vs Desire", Allan plays a SynthAxe duet with himself in a rubato tempo. It is perhaps one of his emotionally most moving pieces. "Bradford Executive" is like a genre all its own, starting with a soundtrack-esque train ride programmed on Allan's computer, before moving into a free flowing improvisation with Chad Wackerman, and one of Allan's longest and most cinematic guitar solos on record. The album ends with the peculiar "Mac Man", where Allan once again applies a sequencer on an avant-gardish composition. Here, he even plays his SynthAxe through a Marshall stack!

	This album also represented something new in Allan's working method: For the first time, he took the basic tracks with him home from the studio, and overdubbed in his garage on a rented tape machine. Here, he was allowed to spend as much time as he wanted on his guitar sound. He built himself custom speaker boxes that allowed him to record the amps at full volume, while not keeping the neighborhood awake.		This album also represented something new in Allan's working method: For the first time, he took the basic tracks with him home from the studio, and overdubbed in his garage on a rented tape machine. Here, he was allowed to spend as much time as he wanted on his guitar sound. He built himself custom speaker boxes that allowed him to record the amps at full volume, while not keeping the neighborhood awake.

Per at 22:12, 17 October 2023

2023-10-17T22:12:32Z

@@ Line 1: / Line 1: @@
 {|class='wikitable'
 |+Allan Holdsworth: Sand ([[Allan Holdsworth Discography|D]] - [[Allan Holdsworth Solo Albums|S]])
@@ Line 46: / Line 51: @@
 '''John England''': Programming on "Mac Man"<br>
 =Quotes on Sand summarized=