https://allanholdsworth.info/ahwiki/index.php?action=history&feed=atom&title=The_Magician_Of_Chords_%28Guitarre_Live_2005%29
The Magician Of Chords (Guitarre Live 2005) - Revision history
2026-05-07T15:57:15Z
Revision history for this page on the wiki
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https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=5814&oldid=prev
Per at 18:53, 27 October 2023
2023-10-27T18:53:00Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:53, 27 October 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''''Summary''': Allan Holdsworth's musical influences came from his father, a pianist with a diverse record collection. He originally didn't aspire to be a musician but later embraced the guitar. He didn't learn standards for jam sessions, often improvised, and focused on scales and technical exercises. His compositions were influenced by mathematical scale exploration, and he played by ear, hearing and feeling the music as he played. Holdsworth discussed his approach to metrics, vibrato bar technique, and his preference for communication through music. He emphasized the importance of being in the right mindset to make music and expressed mixed feelings about his influence on other guitarists. He also mentioned cycling as a hobby and how his music preferences evolve over time. Holdsworth expressed a desire to collaborate with Elvin Jones and shared his experience with various album projects. He had a few unlisted albums in progress but contemplated taking breaks from music due to his cyclical relationship with it, valuing music as a personal experience over a profession.''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''''Summary''': Allan Holdsworth's musical influences came from his father, a pianist with a diverse record collection. He originally didn't aspire to be a musician but later embraced the guitar. He didn't learn standards for jam sessions, often improvised, and focused on scales and technical exercises. His compositions were influenced by mathematical scale exploration, and he played by ear, hearing and feeling the music as he played. Holdsworth discussed his approach to metrics, vibrato bar technique, and his preference for communication through music. He emphasized the importance of being in the right mindset to make music and expressed mixed feelings about his influence on other guitarists. He also mentioned cycling as a hobby and how his music preferences evolve over time. Holdsworth expressed a desire to collaborate with Elvin Jones and shared his experience with various album projects. He had a few unlisted albums in progress but contemplated taking breaks from music due to his cyclical relationship with it, valuing music as a personal experience over a profession.''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Allan Holdsworth </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== </ins>Allan Holdsworth ... the magician of chords <ins style="font-weight: bold; text-decoration: none;">==</ins></div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=5813&oldid=prev
Per at 18:52, 27 October 2023
2023-10-27T18:52:36Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:52, 27 October 2023</td>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''''Summary''': Allan Holdsworth's musical influences came from his father, a pianist with a diverse record collection. He originally didn't aspire to be a musician but later embraced the guitar. He didn't learn standards for jam sessions, often improvised, and focused on scales and technical exercises. His compositions were influenced by mathematical scale exploration, and he played by ear, hearing and feeling the music as he played. Holdsworth discussed his approach to metrics, vibrato bar technique, and his preference for communication through music. He emphasized the importance of being in the right mindset to make music and expressed mixed feelings about his influence on other guitarists. He also mentioned cycling as a hobby and how his music preferences evolve over time. Holdsworth expressed a desire to collaborate with Elvin Jones and shared his experience with various album projects. He had a few unlisted albums in progress but contemplated taking breaks from music due to his cyclical relationship with it, valuing music as a personal experience over a profession.''</ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Allan Holdsworth </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Allan Holdsworth </div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3115&oldid=prev
Per at 15:59, 10 May 2019
2019-05-10T15:59:54Z
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Live <del style="font-weight: bold; text-decoration: none;">Guitar </del>magazine n ° 5 - April 2005 www.guitare-live.com </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Guitare </ins>Live magazine n ° 5 - April 2005 www.guitare-live.com </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A slender figure, very "British", he apologizes while sitting at the table. "I'm sorry, there must be a mistake, I do not know how to do a master class". Welcome to the world of Allan Holdsworth, musician despite himself, guitarist dreaming of playing the saxophone, claiming his ignorance while having influenced several generations of musicians in search of atypical and virtuoso music. On the occasion of a meeting in public at the Jam in Montpellier, meet one of the pioneers of jazz rock. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A slender figure, very "British", he apologizes while sitting at the table. "I'm sorry, there must be a mistake, I do not know how to do a master class". Welcome to the world of Allan Holdsworth, musician despite himself, guitarist dreaming of playing the saxophone, claiming his ignorance while having influenced several generations of musicians in search of atypical and virtuoso music. On the occasion of a meeting in public at the Jam in Montpellier, meet one of the pioneers of jazz rock. </div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3114&oldid=prev
Per at 15:59, 10 May 2019
2019-05-10T15:59:25Z
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Per
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Per at 15:59, 10 May 2019
2019-05-10T15:59:09Z
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Per at 15:58, 10 May 2019
2019-05-10T15:58:52Z
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>... the magician of chords</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>... the magician of chords</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[File:GL0405.jpg.jpg]]</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>MACHINE TRANSLATED VERSION OF [[Le Magicien Des Accords (Guitare Live 2005)]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>MACHINE TRANSLATED VERSION OF [[Le Magicien Des Accords (Guitare Live 2005)]]</div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3110&oldid=prev
Per at 15:51, 10 May 2019
2019-05-10T15:51:47Z
<p></p>
<a href="//allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3110&oldid=3109">Show changes</a>
Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3109&oldid=prev
Per at 22:15, 9 May 2019
2019-05-09T22:15:30Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:15, 9 May 2019</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Live Guitar magazine n ° 5 - April 2005 www.guitare-live.com </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Live Guitar magazine n ° 5 - April 2005 www.guitare-live.com </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The slender figure, very "British", he apologizes while sitting at the table. "I'm sorry, there must be a mistake, I do not know how to do a master class". Welcome to the world of Allan Holdsworth, musician despite himself, guitarist dreaming of playing the saxophone, claiming his ignorance while having <del style="font-weight: bold; text-decoration: none;">inuenced </del>several generations of musicians in search of atypical and virtuoso music. On the occasion of a meeting in public at the Jam in Montpellier, meet one of the pioneers of jazz rock. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The slender figure, very "British", he apologizes while sitting at the table. "I'm sorry, there must be a mistake, I do not know how to do a master class". Welcome to the world of Allan Holdsworth, musician despite himself, guitarist dreaming of playing the saxophone, claiming his ignorance while having <ins style="font-weight: bold; text-decoration: none;">influenced </ins>several generations of musicians in search of atypical and virtuoso music. On the occasion of a meeting in public at the Jam in Montpellier, meet one of the pioneers of jazz rock. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>What were your musical influences?</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>What were your musical influences?</div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3108&oldid=prev
Per at 22:14, 9 May 2019
2019-05-09T22:14:31Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:14, 9 May 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
<td colspan="2" class="diff-lineno">Line 3:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>... the magician of chords</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>... the magician of chords</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>MACHINE TRANSLATED VERSION</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>MACHINE TRANSLATED VERSION <ins style="font-weight: bold; text-decoration: none;">OF [[Le Magicien Des Accords (Guitare Live 2005)]]</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>By HERVÉ ALLESANT </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>By HERVÉ ALLESANT </div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l132">Line 132:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Being paid for making music is very odd, because all of this is completely fortuitous for me. The musicians I play with are professionals, they come to play as they go to work, play, receive their pay, and then go back to another formation. For me, playing because we want it, or because we have to, is an essential difference. But it's just my conception of music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Being paid for making music is very odd, because all of this is completely fortuitous for me. The musicians I play with are professionals, they come to play as they go to work, play, receive their pay, and then go back to another formation. For me, playing because we want it, or because we have to, is an essential difference. But it's just my conception of music.</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">File:GL0405c.jpg</ins></div></td></tr>
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Per
https://allanholdsworth.info/ahwiki/index.php?title=The_Magician_Of_Chords_(Guitarre_Live_2005)&diff=3107&oldid=prev
Per at 21:55, 9 May 2019
2019-05-09T21:55:07Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:55, 9 May 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>... the magician of chords</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>... the magician of chords</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">MACHINE TRANSLATED VERSION</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>By HERVÉ ALLESANT </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>By HERVÉ ALLESANT </div></td></tr>
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Per