Acoustic guitars: Difference between revisions
From Allan Holdsworth Information Center
| Line 104: | Line 104: | ||
- I have been experimenting so much over the years. I play with a distorted sound, and then you have to see the amplifier and the guitar together as one instrument, they are inseparable. I do not use the amplifier only to raise the volume of the guitar. Put it this way; it’s not just something you add when the sound is already fully formed. The way horn instruments are able to control and shape the tone has always been my ideal, and working with distortion is my way of compensating the guitar’s deficiencies in that area. That’s why I’ve completely abandoned '''acoustic''' guitar, which has a percussive quality and little sustain. In my studio, The Brewery, I have been able to try things out, and now I think the pieces have fallen into place. | - I have been experimenting so much over the years. I play with a distorted sound, and then you have to see the amplifier and the guitar together as one instrument, they are inseparable. I do not use the amplifier only to raise the volume of the guitar. Put it this way; it’s not just something you add when the sound is already fully formed. The way horn instruments are able to control and shape the tone has always been my ideal, and working with distortion is my way of compensating the guitar’s deficiencies in that area. That’s why I’ve completely abandoned '''acoustic''' guitar, which has a percussive quality and little sustain. In my studio, The Brewery, I have been able to try things out, and now I think the pieces have fallen into place. | ||
==[[Don’t you know | ==[[Don’t you know? The Lost Words (Oneiric Moor 2003)]]== | ||
OF: And... what about an '''acoustic''' guitar album ? | OF: And... what about an '''acoustic''' guitar album ? | ||