Carvin: Difference between revisions
From Allan Holdsworth Information Center
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The first headless guitar that I played was a Steinberger—I fell in love with the design. They are extremely comfortable and make perfect sense. They are very stable and sound great, and it’s easier to change strings. Once you play a headless guitar, you get used to the fact that there is no headstock, and you’ll never want to play a regular guitar again. A number of years ago I talked to Carvin guitars, which is now Kiesel, about making me a headless guitar, and I loved it. I’ve been playing headless guitars ever since. | The first headless guitar that I played was a Steinberger—I fell in love with the design. They are extremely comfortable and make perfect sense. They are very stable and sound great, and it’s easier to change strings. Once you play a headless guitar, you get used to the fact that there is no headstock, and you’ll never want to play a regular guitar again. A number of years ago I talked to Carvin guitars, which is now Kiesel, about making me a headless guitar, and I loved it. I’ve been playing headless guitars ever since. | ||
==[[DownBeat’s Final Interview with Allan Holdsworth (Downbeat 2017)]]== | ==[[In Memoriam: DownBeat’s Final Interview with Allan Holdsworth (Downbeat 2017)]]== | ||
You do a lot of research and development with the Carvin guitar and amplifier company, don’t you? | You do a lot of research and development with the Carvin guitar and amplifier company, don’t you? | ||
