Frankfurt '86 (album): Difference between revisions

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|+Allan Holdsworth: Frankfurt '86 ([[Allan Holdsworth Discography|D]] - [[Allan Holdsworth Solo Albums|S]] - [[Allan Holdsworth filmography|F]])
|+Allan Holdsworth: Frankfurt '86 ([[Allan Holdsworth Discography|D]] - [[Allan Holdsworth Solo Albums|S]] - [[Allan Holdsworth filmography|F]]) ([https://www.youtube.com/playlist?list=OLAK5uy_m40V-y8AxwnaCOwE-NDeTVmYsxPkmT1GY YT])
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==Album info==
==Album info==
 
This concert is unique in that it is the first known professionally shot concert performance of Allan playing the SynthAxe, and maybe even his first live playing the SynthAxe ever. This shows, as the system malfunctions on stage a couple times during the concert. Nevertheless, the performance is stellar.
Previews:
 
https://vimeo.com/403438628
 
https://vimeo.com/423496357
 
This concert is unique in that it is the first known professionally shot concert performance of Allan playing the SynthAxe. This shows, as the system malfunctions on stage a couple times during the concert. Nevertheless, the performance is stellar.


==Jimmy Johnson's comments on the album==
==Jimmy Johnson's comments on the album==
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JJ: “This particular gig was at the Frankfurt Musikmesse in 1986. That's the EU equivalent of our NAMM show here in the States but actually a larger exposition. I don't remember the exact circumstances which brought Kei Akagi into the band on keyboards, but this was his first and only tour with the band. He did an excellent job of dealing with the music but never had the chance to get very comfortable with it. Furthermore, I'm sure Allan and I got together with him in LA for a couple rehearsals but it's possible he had not yet played with Gary Husband until the day of this show.”
JJ: “This particular gig was at the Frankfurt Musikmesse in 1986. That's the EU equivalent of our NAMM show here in the States but actually a larger exposition. I don't remember the exact circumstances which brought Kei Akagi into the band on keyboards, but this was his first and only tour with the band. He did an excellent job of dealing with the music but never had the chance to get very comfortable with it. Furthermore, I'm sure Allan and I got together with him in LA for a couple rehearsals but it's possible he had not yet played with Gary Husband until the day of this show.”


JJ: “This was the very first gig of the tour - and likely funded our flight expenses to get to Europe. So we had flown in the day before, then spent almost all of this day jet-lagged and running around the Muskmesse collecting gear which had been offered from various manufacturers for use on the tour. But as I said, that convention is HUGE so picture us trying to find the Mesa Boogie booth (or whatever he was using at the time) on the floor of the show, then finding a handcart to wheel speaker cabinets the 2 miles to the venue, dealing with security to get the gear out of the building, etc... I have the feeling we had to chase down a drum kit that same way. That took all day leaving us precious little time for a soundcheck or a much needed rehearsal with the full band.”
JJ: “This was the very first gig of the tour - and likely funded our flight expenses to get to Europe. So we had flown in the day before, then spent almost all of this day jet-lagged and running around the Muiskmesse collecting gear which had been offered from various manufacturers for use on the tour. But as I said, that convention is HUGE so picture us trying to find the Mesa Boogie booth (or whatever he was using at the time) on the floor of the show, then finding a handcart to wheel speaker cabinets the 2 miles to the venue, dealing with security to get the gear out of the building, etc... I have the feeling we had to chase down a drum kit that same way. That took all day leaving us precious little time for a soundcheck or a much needed rehearsal with the full band.”


JJ: “So we had done what we could to get set up with the borrowed gear and get the monitors working so we could hear each other. We understood that we were contractually obligated to let the "festival" be recorded for a one-time tv broadcast. What we had NOT anticipated was that as soon as we started playing, 2 or 3 handheld cameramen and their cable wrangling assistants were running back and forth on stage basically in our faces. To the point where they were stepping on our pedals! Complete disregard for us trying to concentrate on the music. It was one of those situations where you needed to completely close your eyes and not see what was happening around you. But then my chorus effect would suddenly turn on. HA!!”
JJ: “So we had done what we could to get set up with the borrowed gear and get the monitors working so we could hear each other. We understood that we were contractually obligated to let the "festival" be recorded for a one-time tv broadcast. What we had NOT anticipated was that as soon as we started playing, 2 or 3 handheld cameramen and their cable wrangling assistants were running back and forth on stage basically in our faces. To the point where they were stepping on our pedals! Complete disregard for us trying to concentrate on the music. It was one of those situations where you needed to completely close your eyes and not see what was happening around you. But then my chorus effect would suddenly turn on. HA!!”
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Found at https://www.facebook.com/groups/allanh/permalink/2935459816576976/
Found at https://www.facebook.com/groups/allanh/permalink/2935459816576976/
==Links==
Playlist: https://www.youtube.com/playlist?list=OLAK5uy_m40V-y8AxwnaCOwE-NDeTVmYsxPkmT1GY
Discogs: https://www.discogs.com/master/1805068-Allan-Holdsworth-Frankfurt-86
Previews:
https://vimeo.com/403438628
https://vimeo.com/423496357