The Reluctant Guitarist (Jazz Journal 1992): Difference between revisions

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'''''Summary''': Allan Holdsworth, a renowned and innovative guitarist, remains modest about his exceptional skills. Born in 1946 in Bradford, he was adopted by his grandparents, and his grandfather, Sam Holdsworth, played a pivotal role in his musical development. He developed a passion for complex harmony inspired by classical composers like Bartok, Debussy, and Ravel. Holdsworth's unique guitar technique involves light strings, hammer-on legato, and polytonal improvisation. He embraces the role of the guitar as a source of melody and harmony and often uses the Synthaxe for horn-like expression. Despite challenges, he continues to push musical boundaries with his exceptional band.''
'''''Summary''': Allan Holdsworth, a renowned and innovative guitarist, remains modest about his exceptional skills. Born in 1946 in Bradford, he was adopted by his grandparents, and his grandfather, Sam Holdsworth, played a pivotal role in his musical development. He developed a passion for complex harmony inspired by classical composers like Bartok, Debussy, and Ravel. Holdsworth's unique guitar technique involves light strings, hammer-on legato, and polytonal improvisation. He embraces the role of the guitar as a source of melody and harmony and often uses the Synthaxe for horn-like expression. Despite challenges, he continues to push musical boundaries with his exceptional band.'' ''[This summary was written by ChatGPT in 2023 based on the article text below.]''


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'Because I've been doing it for a long time, I realise that the music I play can't be taken any further in terms of audience. We'll never get any more people than we've got already, so I have to be prepared to do this continuously, knowing that nothing can improve really. We're at the mercy of the record company and the radio station. But in a way it doesn't matter whether there's a new album out 'cause people come and see the guys play; they just want to see people play, which is great.'
'Because I've been doing it for a long time, I realise that the music I play can't be taken any further in terms of audience. We'll never get any more people than we've got already, so I have to be prepared to do this continuously, knowing that nothing can improve really. We're at the mercy of the record company and the radio station. But in a way it doesn't matter whether there's a new album out 'cause people come and see the guys play; they just want to see people play, which is great.'
https://jazzjournal.co.uk/2022/05/31/jj-05-92-allan-holdsworth-the-reluctant-guitarist-in-conversation-with-mark-gilbert/