F-hole guitars: Difference between revisions

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I never really owned an acoustic guitar. For a while, I had an Ibanez copy of a Gibson L5 that I used on the UK album. I love '''F-hole''' guitars; the only acoustic guitar I’d ever really like to own would be a really really great acoustic '''F-hole''' - you know, no pickups, just a really nice one, but they’re so expensive, and for someone who has such limited use of that instrument, it doesn’t warrant the amount of money that I’d have to spend on it. For three or four thousand dollars, I could buy another synthesizer [laughs very loudly].
I never really owned an acoustic guitar. For a while, I had an Ibanez copy of a Gibson L5 that I used on the UK album. I love '''F-hole''' guitars; the only acoustic guitar I’d ever really like to own would be a really really great acoustic '''F-hole''' - you know, no pickups, just a really nice one, but they’re so expensive, and for someone who has such limited use of that instrument, it doesn’t warrant the amount of money that I’d have to spend on it. For three or four thousand dollars, I could buy another synthesizer [laughs very loudly].
GW: So you don’t presently own an acoustic?
HOLDSWORTH: Yeah, I do. I own one custom - made guitar built by Bill DeLap, which is beautiful. It’s a five-string guitar, tuned in fifths. I like that tuning [C,G,D,A,E, low to high]; it’s a really logical tuning to me. The guitar’s standard tuning is really illogical, and if I were starting again… if I hadn’t had so much trouble trying to figure out how to get round the B string, I’d probably have learned to tune like Stanley Jordan, in fourths, to C and F [for the two highest strings]. That’s the most logical tuning.
GW: Did you start experimenting with tunings on the acoustic guitar?
HOLDSWORTH: Well, I started working on it with the SynthAxe, just because it has very great limitations on acoustic instruments; you can only really effectively get four strings tuned in fifths to sound good. You can get five to sound borderline, but six - impossible. Well, nothing’s impossible, is it? But it’s much more difficult with an acoustic instrument, because you’d have to have an instrument as small as a violin and as big as a bass. With the SynthAxe, you don’t have that problem, because you’re just reaming little synthesizers and oscillators.


[[Category:Guitars]]
[[Category:Guitars]]

Latest revision as of 21:20, 4 March 2018

The Unreachable Star (Guitar World 1989)

GW: Throughout the years, you’ve played SG’s, Strats, Charvels. What about acoustics? What did you use on your really early work?

HOLDSWORTH: Actually; I didn’t have an acoustic guitar; I borrowed one from Tony Williams’ girlfriend at the time, Tequila, who sang on some of those older albums he did right before Believe It. She had an old acoustic guitar and I used that.

I never really owned an acoustic guitar. For a while, I had an Ibanez copy of a Gibson L5 that I used on the UK album. I love F-hole guitars; the only acoustic guitar I’d ever really like to own would be a really really great acoustic F-hole - you know, no pickups, just a really nice one, but they’re so expensive, and for someone who has such limited use of that instrument, it doesn’t warrant the amount of money that I’d have to spend on it. For three or four thousand dollars, I could buy another synthesizer [laughs very loudly].

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