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From Allan Holdsworth Information Center
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==[[At home in the Brewery (Home Recording 1997)]]== | ==[[At home in the Brewery (Home Recording 1997)]]== | ||
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Perhaps the biggest challenge Holdsworth faces in recording is not in his acoustics or the home recording environment, but in the recording machines themselves, as he discussed at the beginning. To Holdsworth, the issue is not about analog vs. digital, because he's recorded on both and had successful results with both. The real question is the quality of digital. "People think that digital is digital, and it's just not true," he says. "I've rented these expensive digital machines and run them alongside of ADATS, and there's just no comparison. You don't even have to have good ears to hear the difference, it's so astounding. You don't even have to be musically inclined. But people don't understand there are levels of digital. They also think that any digital is superior to analog, which just isn't true. ADATs are great, and I record on them, but you have to understand there's a difference between the converters on them and the ones Apogee makes as replacements for the Mitsubishi machines." | Perhaps the biggest challenge Holdsworth faces in recording is not in his acoustics or the home recording environment, but in the recording machines themselves, as he discussed at the beginning. To Holdsworth, the issue is not about analog vs. digital, because he's recorded on both and had successful results with both. The real question is the quality of digital. "People think that digital is digital, and it's just not true," he says. "I've rented these expensive digital machines and run them alongside of ADATS, and there's just no comparison. You don't even have to have good ears to hear the difference, it's so astounding. You don't even have to be musically inclined. But people don't understand there are levels of digital. They also think that any digital is superior to analog, which just isn't true. ADATs are great, and I record on them, but you have to understand there's a difference between the converters on them and the ones Apogee makes as replacements for the Mitsubishi machines." | ||
==[[Strong stuff from the brewery (EQ magazine 1997)]]== | ==[[Strong stuff from the brewery (EQ magazine 1997)]]== | ||
Another item not in use at the Brewery is a patchbay. "I don't believe in them," Holdsworth declares. "Every time you run a signal through a connector, you screw up the sound. All the pieces of equipment in my studio are very mobile, so if I want to put an EQ or limiter on something, I can take it right to the source." Tape machines are also rented in for recording projects. "I'm a big fan of Mitsubishi 880's," says Holdsworth, "and, of course, analog machines. I'll sometimes rent an Otari. It depends on what the budget can go for." The guitarist owns a pair of Alesis ADAT machines, which he keeps in the studio mainly for writing purposes. The same goes for his modest MIDI rig, which is driven by Cubase software running on an old Atari ST computer, Holdsworth's Synth Axe MIDI controller, which was his main axe a few years ago, is now principally used to input data to the sequencer for writing applications or to trigger the occasional synth pad on records. While Allan was once mad for MIDI, the M-word now plays a fairly minor role in his music. "I quit on the MIDI stuff completely for a while, but I just got back into it recently. I don't do it a lot, though, and I don't want to do it a lot anymore; although it's cool for writing." | Another item not in use at the Brewery is a patchbay. "I don't believe in them," Holdsworth declares. "Every time you run a signal through a connector, you screw up the sound. All the pieces of equipment in my studio are very mobile, so if I want to put an EQ or limiter on something, I can take it right to the source." Tape machines are also rented in for recording projects. "I'm a big fan of Mitsubishi 880's," says Holdsworth, "and, of course, analog machines. I'll sometimes rent an Otari. It depends on what the budget can go for." The guitarist owns a pair of Alesis ADAT machines, which he keeps in the studio mainly for writing purposes. The same goes for his modest MIDI rig, which is driven by Cubase software running on an old Atari ST computer, Holdsworth's Synth Axe MIDI controller, which was his main axe a few years ago, is now principally used to input data to the sequencer for writing applications or to trigger the occasional synth pad on records. While Allan was once mad for MIDI, the M-word now plays a fairly minor role in his music. "I quit on the MIDI stuff completely for a while, but I just got back into it recently. I don't do it a lot, though, and I don't want to do it a lot anymore; although it's cool for writing." | ||
[[Category:Recording]] | |||
