Demeter: Difference between revisions
From Allan Holdsworth Information Center
Created page with " ==Allan Holdsworth’s Untold Secrets + Worthy Quotes (Guitar Player 1990)== Your tone has a little more bite than it did the last couple of records.
A lot of th..." |
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The studio is based around a 44-input Trident console and Yamaha NS40 monitors driven by a UREA power amp. The outboard gear on hand includes a Demeter mic preamp, two Neve mic and line amps, a GAL 5-band stereo parametric EQ, and a pair of Trident TSM EQ modules. "In the studio, I mostly use old single-delay lines, in pairs," says Holdsworth. "I have bunch of old Yamaha 1500's I use for that. The digital effects all date from the days before multiprocessors. The only multiprocessors I have are Rocktron Intellifexes, which I like a lot. But I use those mainly for live work. I don't actually own a really good reverb. I usually rent one when I need one. I used to have an AMS 1580S and RMX-16, but I sold those to Steve Vai a long time ago and could never afford to buy them back." | The studio is based around a 44-input Trident console and Yamaha NS40 monitors driven by a UREA power amp. The outboard gear on hand includes a Demeter mic preamp, two Neve mic and line amps, a GAL 5-band stereo parametric EQ, and a pair of Trident TSM EQ modules. "In the studio, I mostly use old single-delay lines, in pairs," says Holdsworth. "I have bunch of old Yamaha 1500's I use for that. The digital effects all date from the days before multiprocessors. The only multiprocessors I have are Rocktron Intellifexes, which I like a lot. But I use those mainly for live work. I don't actually own a really good reverb. I usually rent one when I need one. I used to have an AMS 1580S and RMX-16, but I sold those to Steve Vai a long time ago and could never afford to buy them back." | ||
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