Home studio: Difference between revisions
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No, what I do is make multiple recordings. I'll use the digital output of, say, the Mitsubishi X-86, and put it into another machine. They're not digital copies. | No, what I do is make multiple recordings. I'll use the digital output of, say, the Mitsubishi X-86, and put it into another machine. They're not digital copies. | ||
==[[Strong stuff from the brewery (EQ magazine 1997)]]== | ==[[Strong stuff from the brewery (EQ magazine 1997)]]== | ||
Guitar virtuoso Allan Holdsworth spends lots of quality time in his garage studio, which is adjacent to his house in San Diego, California. He calls the place The Brewery. "It's where we brew up all the music," he explains, "Plus, I like beer." Soft-spoken, Northern-English born, and mechanically inclined, Holdsworth has even invented and patented his own beer pump. But most of his exceptional digital dexterity has been devoted to music. Holdsworth emerged as a key figure on the '70s fusion and art rock scenes, playing with Soft Machine, Tony Williams' Lifetime, Jean Luc Ponty, Gong, and with drummer Bill Bruford in the U.K. | Guitar virtuoso Allan Holdsworth spends lots of quality time in his garage studio, which is adjacent to his house in San Diego, California. He calls the place The Brewery. "It's where we brew up all the music," he explains, "Plus, I like beer." Soft-spoken, Northern-English born, and mechanically inclined, Holdsworth has even invented and patented his own beer pump. But most of his exceptional digital dexterity has been devoted to music. Holdsworth emerged as a key figure on the '70s fusion and art rock scenes, playing with Soft Machine, Tony Williams' Lifetime, Jean Luc Ponty, Gong, and with drummer Bill Bruford in the U.K. | ||
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HOLDSWORTH: [Laughs] No, I always do the guitar at home now; I can get a better sound here than I can in the studio, because I don't have to worry about wasting time for the other guys by trying to mike up the guitar. I've used that room [Front Page], but I really like a certain kind of room for recording guitar. I don't record in certain rooms because I usually can't get a sound I'd be really happy with. It might be okay - I mean, maybe nobody else would notice the difference, but I notice the difference. | HOLDSWORTH: [Laughs] No, I always do the guitar at home now; I can get a better sound here than I can in the studio, because I don't have to worry about wasting time for the other guys by trying to mike up the guitar. I've used that room [Front Page], but I really like a certain kind of room for recording guitar. I don't record in certain rooms because I usually can't get a sound I'd be really happy with. It might be okay - I mean, maybe nobody else would notice the difference, but I notice the difference. | ||
[[Category:Recording]] | |||
