Dave Carpenter: Difference between revisions

From Allan Holdsworth Information Center
 
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==[[Allan Holdsworth interview (Music Maker 2003)]]==
==[[Allan Holdsworth interview (Music Maker 2003)]]==


What happened with '''Dave''' '''Carpenter''', was he busy, or...?
Oh.... it was a long story. It’s a long story.
What happened with '''Dave''' '''Carpenter''', was he busy, or...?


You love the saxophone and recorded with trumpet player Walt Fowler on ‘16 Men Of Tain’. Do you ever think about recording some more with a horn player?
Yeah, I’d love to do something more with a horn player. It was just always like a budget problem. It’s hard enough trying to pay the guys in the band to do it anyway. A lot of times guys do it for next to nothing already, so..It’s just because they want to do it. So it’s kinda difficult with a horn. The last one it was nice because Gary Novak and '''Dave''' knew Walt Fowler. So it was nice to talk Walt Fowler into coming down and doing some stuff on that one which sounded great. I like trumpet and guitar actually. I like it a lot.
Oh.... it was a long story. It’s a long story.
 
You love the saxophone and recorded with trumpet player Walt Fowler on ‘16 Men Of Tain’. Do you ever think about recording some more with a horn player?
 
Yeah, I’d love to do something more with a horn player. It was just always like a budget problem. It’s hard enough trying to pay the guys in the band to do it anyway. A lot of times guys do it for next to nothing already, so..It’s just because they want to do it. So it’s kinda difficult with a horn. The last one it was nice because Gary Novak and '''Dave''' knew Walt Fowler. So it was nice to talk Walt Fowler into coming down and doing some stuff on that one which sounded great. I like trumpet and guitar actually. I like it a lot.


==[[A Conversation With Allan Holdsworth (Abstract Logix 2005)]]==
==[[A Conversation With Allan Holdsworth (Abstract Logix 2005)]]==
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==[[Audiostreet Featured Artists (Audiostreet 2000)]]==
==[[Audiostreet Featured Artists (Audiostreet 2000)]]==


His new album "The Sixteen Men Of Tain" is full of this "love affair" his sonic landscapes loaded with a romanticism and passion that so many current musicians lack, particularly in the overcrowded ranks of modern day guitar heroes, but this accessibility is more coincidence than premeditation. 

"It wasn’t a conscious effort, it was just a nice accident. Because what I wanted to try and do after the last album that I did with Gordon (Beck)"None Too Soon" we played old tunes, so in a way it was my album but I didn’t think of it like it was my album. The last band album I think of was "Hard Hat Area" which was with Gary, Skuli (Sverrisson) and Steve Hunt and right after that album I was thinking I wanted to write some original music, but just put in a different setting, a slightly different setting. And in a way this also happened by accident because I was playing with '''Dave''' '''Carpenter''', who introduced me to Gary Novak and we played a lot and we did two tours of Europe with that group and I also knew he played acoustic bass. 

So after the end of the touring I felt like I needed to record it. I had lost my record deal so my manager loaned me the money to pay the guys to do the record. So we recorded it like one weekend and then I shelved it, and sat it on the back burner until I got a record deal which was about a year and a half later on this new small label. Then I went ahead and finished it. Since then I did another album with Gary Husband and Jimmy Johnson and I’m holding that one back cos this one only just came out! I just wanted to have something that had original music, something that had intensity but was softer. The fact that '''Dave''' '''Carpenter''' played acoustic bass was nice because I was like "maybe it would be nice if you played acoustic bass on this record."
His new album "The Sixteen Men Of Tain" is full of this "love affair" his sonic landscapes loaded with a romanticism and passion that so many current musicians lack, particularly in the overcrowded ranks of modern day guitar heroes, but this accessibility is more coincidence than premeditation. 


 
"It wasn’t a conscious effort, it was just a nice accident. Because what I wanted to try and do after the last album that I did with Gordon (Beck)"None Too Soon" we played old tunes, so in a way it was my album but I didn’t think of it like it was my album. The last band album I think of was "Hard Hat Area" which was with Gary, Skuli (Sverrisson) and Steve Hunt and right after that album I was thinking I wanted to write some original music, but just put in a different setting, a slightly different setting. And in a way this also happened by accident because I was playing with '''Dave''' '''Carpenter''', who introduced me to Gary Novak and we played a lot and we did two tours of Europe with that group and I also knew he played acoustic bass. 

So after the end of the touring I felt like I needed to record it. I had lost my record deal so my manager loaned me the money to pay the guys to do the record. So we recorded it like one weekend and then I shelved it, and sat it on the back burner until I got a record deal which was about a year and a half later on this new small label. Then I went ahead and finished it. Since then I did another album with Gary Husband and Jimmy Johnson and I’m holding that one back cos this one only just came out! I just wanted to have something that had original music, something that had intensity but was softer. The fact that '''Dave''' '''Carpenter''' played acoustic bass was nice because I was like "maybe it would be nice if you played acoustic bass on this record."


The lighter acoustic bass sound helped move Holdsworth’s writing and playing in to a new area that he has never really pushed before. "That’s the beauty of it as well because he, like a lot of the other bass guitar players I’ve played with, he plays a lot. If you put '''Dave''' on bass guitar he’s playing all the time and he plays chords I keep telling him I’m going to buy him a one string bass guitar! So giving him the acoustic bass was great. It was a good element to have and I think it also added something to the sound, which also important to loads of people’s perception of it."
The lighter acoustic bass sound helped move Holdsworth’s writing and playing in to a new area that he has never really pushed before. "That’s the beauty of it as well because he, like a lot of the other bass guitar players I’ve played with, he plays a lot. If you put '''Dave''' on bass guitar he’s playing all the time and he plays chords I keep telling him I’m going to buy him a one string bass guitar! So giving him the acoustic bass was great. It was a good element to have and I think it also added something to the sound, which also important to loads of people’s perception of it."