Gary Husband: Difference between revisions

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"The interpretation of my original music can be played in so many different ways, almost like different kinds of styles," he remarks. "And as I began playing with Gary Novak and Dave Carpenter a couple of years ago, I could hear that the interpretation of it was pushing into a different direction. And it sounded really kind of natural. So I basically wrote the material that was on this record with that in mind, because I knew that Gary Novak’s interpretation is a different kind of thing from the way that '''Gary''' '''Husband'''’s interpretation of it would be. He plays with a lot of energy but he can also play pretty soft, and I was enjoying that. [Novak] has a pretty amazing way of just making it feel good. It feels better than it does with other guys even though you can’t really put your finger on it."
"The interpretation of my original music can be played in so many different ways, almost like different kinds of styles," he remarks. "And as I began playing with Gary Novak and Dave Carpenter a couple of years ago, I could hear that the interpretation of it was pushing into a different direction. And it sounded really kind of natural. So I basically wrote the material that was on this record with that in mind, because I knew that Gary Novak’s interpretation is a different kind of thing from the way that '''Gary''' '''Husband'''’s interpretation of it would be. He plays with a lot of energy but he can also play pretty soft, and I was enjoying that. [Novak] has a pretty amazing way of just making it feel good. It feels better than it does with other guys even though you can’t really put your finger on it."
==[[The Sixteen Men Of Tain (musired.com 2000, Spanish language)]]==
And also you have a long solo career. Have you had any facilities to record your projects?
It is very difficult to keep record contracts with the type of music that I like. Record companies want to sell millions and, well, with this music it is not probable they will do it.
However, you have always tried to play what you want without letting yourself be influenced by the demands of the record companies ...
Yes, I’ve played in many groups where people told me what to do and I decided I wanted to do this. Economically, it was a disastrous decision. When I formed my first group with '''Gary''' '''Husband''' I almost left the music [business] because I did not make enough money and then I met Matt Valy [Mike Varney? Ed.] , who had a column in Guitar Magazine, he found me and showed me all these magazines in which my name appeared and which I had no idea of. So I got a few gigs in California. It was amazing to play in front of ten people in a pub in England, to clubs in California with six or seven hundred people and always full. So I thought it was time to move. That’s why I went to the US, for work ... and it’s better to avoid rain. It’s not that I’m very fond of the beach or any of this, but I like to see the blue sky and the sun from time to time.


==[[The Unreachable Star (Guitar World 1989)]]==
==[[The Unreachable Star (Guitar World 1989)]]==
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