Gary Willis: Difference between revisions
From Allan Holdsworth Information Center
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AH: Oh sure! I enjoyed that record. Actually that was a funny thing because the Road Games thing wasn’t going very well and I was signed to Warner Brothers and they were trying to get me to do a bunch of stuff I didn’t want to do. They never told me before they signed me, but after the fact, because the way that the contract was written, they had to, in order to get rid of me, they had to give me the opportunity to make another demo so that they could refuse it, so they knew that they were going to refuse it, but the contract stated they had to pay for the demos the demo was Metal Fatigue, and they turned it down. | AH: Oh sure! I enjoyed that record. Actually that was a funny thing because the Road Games thing wasn’t going very well and I was signed to Warner Brothers and they were trying to get me to do a bunch of stuff I didn’t want to do. They never told me before they signed me, but after the fact, because the way that the contract was written, they had to, in order to get rid of me, they had to give me the opportunity to make another demo so that they could refuse it, so they knew that they were going to refuse it, but the contract stated they had to pay for the demos the demo was Metal Fatigue, and they turned it down. | ||
=Gary on Allan= | |||
What was it like to work with Allan Holdsworth on his last album None Too Soon? | |||
It was fun. Because of the constraints of his studio, it wasn't like we were playing with Holdsworth, because he didn't track. He added his stuff later. It was kind of a weird recording process. But it turned out fine as far as what he put on there. Part of it was his constant insistence on his mediocrity—he didn't want to be playing along, or whatever. He says he wouldn't keep anything anyway. The other thing is the size of his studio—it only had room for drums, and then me and keyboards in the control room. There wasn't actually a place to set up guitar for any useful purpose. | |||
What did you mean by Holdworth’s "constant insistence on his mediocrity?" | |||
He has this habit of anytime you bring up his playing in any way, especially when it's a compliment, he'll go on and on and try to quadruple the amount of time you spent complimenting with self-deprecation. | |||
What do you think of the album? | |||
The main problem was, we probably would have gotten a better overall vibe if we had recorded in a studio with an acoustic piano, because that's more where Gordon Beck's coming from. You know, he's an amazing keyboard player, but his whole thing is getting sounds out of a grand piano as opposed to a MIDI instrument. So that was the negative that came out of it, maybe. As a sideman, I didn't envision anything to start out with, you know. I was there to play. I can't really pass judgment on what it could have been, I don't really like to think about it that way. | |||
But what do you think of the end result? | |||
What it is is pretty cool, considering we were tracking without guitar and we were tracking with MIDI instead of a grand piano, which would have left it with a stronger jazz vibe, or a better feeling overall. So if you take into consideration those two factors, I think it came out pretty well. | |||
Found at https://www.innerviews.org/inner/willis.html | |||
