Guitar Synths in Jazz (Music Technology 1987): Difference between revisions
From Allan Holdsworth Information Center
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“Oh no. Why? If I'm playing a guitar and I'm hearing a flute, I'm not hearing a guitar anymore anyway. So for me, hear the SynthAxe, I'm able to respond and get inside the sound I'm using more than I could with a guitar. When I play a guitar with any conversion system on it, I'm still thinking “guitar“. Whereas, while I'm playing the SynthAxe, I'm totally engrossed and lost in that sound, with what I'm doing at the moment. It's still new to me, and I'm still growing and learning about it, but it's totally rejuvenated my way of thinking about music. I think that eventually, I'm going to be able to get closer musically to what I can hear in my head than I could with the guitar. I'll try.' | “Oh no. Why? If I'm playing a guitar and I'm hearing a flute, I'm not hearing a guitar anymore anyway. So for me, hear the SynthAxe, I'm able to respond and get inside the sound I'm using more than I could with a guitar. When I play a guitar with any conversion system on it, I'm still thinking “guitar“. Whereas, while I'm playing the SynthAxe, I'm totally engrossed and lost in that sound, with what I'm doing at the moment. It's still new to me, and I'm still growing and learning about it, but it's totally rejuvenated my way of thinking about music. I think that eventually, I'm going to be able to get closer musically to what I can hear in my head than I could with the guitar. I'll try.' | ||
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