Gazeuse! (album): Difference between revisions

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{| class="wikitable"
|-
! Side !! Track !! Composer !! Length
|-
| Side one || "Expresso" || Pierre Moerlen || 5:58
|-
| || "Night Illusion" || Allan Holdsworth || 3:42
|-
| || "Percolations (Part I & II)" || Pierre Moerlen || 10:00
|-
| Side two || "Shadows Of" || Allan Holdsworth || 7:48
|-
| || "Esnuria" || Pierre Moerlen || 8:00
|-
| || "Mireille" || Francis Moze || 4:10
|}
Allan fits like a charm in this percussion-heavy fusion conglomerate led by Pierre Moerlen. Several nice guitar solos, including some acoustic work. Allan also adds steel guitar and violin parts! Strong tunes and musicianship all around.
Allan fits like a charm in this percussion-heavy fusion conglomerate led by Pierre Moerlen. Several nice guitar solos, including some acoustic work. Allan also adds steel guitar and violin parts! Strong tunes and musicianship all around.



Revision as of 13:09, 30 September 2023

Side Track Composer Length
Side one "Expresso" Pierre Moerlen 5:58
"Night Illusion" Allan Holdsworth 3:42
"Percolations (Part I & II)" Pierre Moerlen 10:00
Side two "Shadows Of" Allan Holdsworth 7:48
"Esnuria" Pierre Moerlen 8:00
"Mireille" Francis Moze 4:10

Allan fits like a charm in this percussion-heavy fusion conglomerate led by Pierre Moerlen. Several nice guitar solos, including some acoustic work. Allan also adds steel guitar and violin parts! Strong tunes and musicianship all around.

https://www.facebook.com/AllanHoldsworthArchives/posts/484830815024150

http://threadoflunacy.blogspot.no/2017/06/7-gong.html

https://www.discogs.com/Gong-Gazeuse/release/1353559

https://www.youtube.com/watch?v=2NEH3UCXklg&list=PLEMzLROuENR3uC7LmSxK6M1nsN6Ji_9MX

Creating Imaginary Backdrops (Innerviews 1993)

Gong was good too. It was good fun. I didn’t speak French and they were always arguing in French, so I never knew what the hell they were arguing about! But, I think the band had a lot of potential, it was just never reached. I recently listened to Gazeuse! recently, because it was re-released on CD. I thought I was terrible on it, but the band sounded good. It still sounded pretty fresh—especially the drums. Pierre [Moerlen] sounded great—it sounded like it could have been done yesterday. That says a lot about his drumming.