Tales From The Vault (album): Difference between revisions

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This was meant to be a crowd sourced project where Allan would pull stuff from his vault, plus finish some unfinished recordings. What we ended up with was one new track written by Virgil Donati, a lot of alternate mixes and lead vocal takes from “Road Games”, two new SynthAxe numbers, an early version of “Abingdon Chasp”, and a recovered IOU recording of “Water On The Brain”.
This was meant to be a crowd sourced project where Allan would pull stuff from his vault, plus finish some unfinished recordings. What we ended up with was one new track written by Virgil Donati, a lot of alternate mixes and lead vocal takes from “Road Games”, two new SynthAxe numbers, an early version of “Abingdon Chasp”, and a recovered IOU recording of “Water On The Brain”.


==Album information==
Documenting the release of this album is complicated by the fact that PledgeMusic has since gone out of business, and their website has disappeared. The only information that is available openly is what has been archived on The Wayback Machine. A lot of the material posted on the Pledge site required a sign-in, which means this material is not available through the Wayback Machine. (The first archived copy is from March 7, 2015.) A few of these posts have been archived here, see below. I will try to piece together a story based on the available facts.
'''March 2, 2015: Announcement'''. An announcement was made on PledgeMusic, signed by Allan. Here's an excerpt:
''"Just to clarify since there have been some questions as to what people are receiving as the first “downloads”, I originally recorded the basic tracks for two albums’ worth of material over the last 10 years or so with different trios. One with Joel Taylor and Ernest Tibbs (the one and only recorded version of this amazing trio) and the other with one of favorite trios Gary Husband and Jimmy Johnson. All new music.''
''Due to record industry changes and some personal stuff I went through, I never completely finished them and so never released them. Some of you may know that the original title for one of these albums was “Snakes and Ladders”. “Snakes and Ladders” in now part of these tracks. None of this music has been fully mixed, edited and mastered until now. Your pledges allow me to finish these tracks, add some new solos, edit/tweak the tracks, mix and master them and then have an outlet that bypasses the traditional way I have released albums over the years.''
''As I finish each track(s) in the coming months, I will be releasing one or two each month over the next 6 months for download in high res formats. Towards the end of 2015 I hope to release ALL of the tracks from both unreleased albums in special cd and vinyl sets available only through Pledge. Each will have technical notes from me, rare pictures from my career, liner notes written by me, audiophile sound, amazing packaging and some other very cool surprises."''
'''August 31, 2015: First track posted'''. The track "Earth" was posted in two versions. One was a full version, the other was a mix without the guitar solo. Excerpt of Allan's update:
''"The reason I chose to do this first was simply because of the fact that it has been so long since I did a studio recording that I didn’t want to just dig up some older music (which actually may have been just fine). I decided to do an arrangement of Virgil’s tune Earth. I found it compelling so I re arranged the tune (not the form that remained the same) just a little re harmonization here and there. So there you have it. The other version is very different as you will hear. In fact I think I arranged myself out of it because of all the cheese I put behind the guitar solo first (that I had to play around). I had already done a previous solo that the computer didn’t like and torched it. Oh well. Don’t be fooled by the short (largely diatonic) solo theres plenty of guitar on the rest of the tunes. I just loved the piece..thats what this was about."''


'''January 20, 2016: Delays and apologies'''. Allan posted an apology on the delay of the next two planned tracks, which were "Lanyard Loop" and "Gas Lamp Blues". Take note that these two tracks were in fact never posted.
'''July 21, 2016: Final tracks posted'''. The final tracks were posted on PledgeMusic. At the same time, liner notes by Allan were posted. Allan explained that he originally wanted to release newly recorded solos on existing backing tracks. Since he was not able to finish these new recordings, he instead dug through his archives and released some old tapes. These included an old 70s demo, a previously unreleased recording from the IOU sessions, some alternate mixes of "Road Games" tracks, and two previously unreleased solo SynthAxe tracks.
In between these key posts, there are several posts signed by Allan, his production team, and PledgeMusic, which effectively are all apologies due to delays. After the announcement on July 21, 2016, two updates were posted from Allan's production team. The surviving snippets give the impression that Allan had parted ways with the production team:
'''December 19, 2016: An Open Letter to Allan's Fans'''. ''"PledgeMusic note: The following post is from the project creators, whom represented the artist at time of launch. This is not information from PledgeMusic, nor is it reflective of PledgeMusic. Hi ..."''
'''February 3, 2017: Final Update from John McC.''' ''"This is the last update from me in this campaign. I wanted to clear the air and leave on a positive note. I realize that some of you took offense at the last update I wrote. I apologize to the..."''
These were the last updates to be posted.  The last archived copy of the update page is from May 15, 2019. http://web.archive.org/web/20190515211043/https://www.pledgemusic.com/projects/allanholdsworth/updates
'''Discussions''': There was a discussion page on PledgeMusic were there was a lot of activity at times. A lot of the discussion centered on the frequent delays in delivery of tracks. A few discussion pages are archived. The most recent one seems to be June 15, 2017, and the oldest from May 29, 2015. You may be able to find information relevant to the album here, but take note that it's very hard to verify the accuracy of anything that's posted on an internet dicussion page. The last archived discussion page can be found at http://web.archive.org/web/20170415040118/http://www.pledgemusic.com:80/artists/allanholdsworth/discussion?project_id=9704
'''PledgeMusic products''': There were a number of products available for purchase for pledgers. The basic product was the "AccessPass" with digital tracks for download, as well as access to the updates of the PledgeMusic project site. Additionally, you could sign up for T-shirts, having your name printed in the CD booklet, getting a signed booklet, posters, and even a signed guitar. Judging from the discussion on the website, there were several delays in delivery of these products. I do not have verifiable information on these matters, however. A CD was ultimately printed and sent to those who pledged for it. How many of these that were actually made is hard to tell. You can have a look at the store here: http://web.archive.org/web/20160215193000/http://www.pledgemusic.com:80/projects/allanholdsworth/exclusives


==Track list==
==Track list==
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Tales From The Vault turned into a bit of a disaster, actually. There were some older tracks that I’d done before with Ernest and Joel but I never finished; I was going to finish them for the pledge campaign, but basically the money ran out. Compared to other people I don’t produce albums very quickly. So I ended up not using some of those tunes; it wasn’t financially possible for me to do it.
Tales From The Vault turned into a bit of a disaster, actually. There were some older tracks that I’d done before with Ernest and Joel but I never finished; I was going to finish them for the pledge campaign, but basically the money ran out. Compared to other people I don’t produce albums very quickly. So I ended up not using some of those tunes; it wasn’t financially possible for me to do it.
==Album information==
Documenting the release of this album is complicated by the fact that PledgeMusic has since gone out of business, and their website has disappeared. The only information that is available openly is what has been archived on The Wayback Machine. A lot of the material posted on the Pledge site required a sign-in, which means this material is not available through the Wayback Machine. (The first archived copy is from March 7, 2015.) A few of these posts have been archived here, see below. I will try to piece together a story based on the available facts.
'''March 2, 2015: Announcement'''. An announcement was made on PledgeMusic, signed by Allan. Here's an excerpt:
''"Just to clarify since there have been some questions as to what people are receiving as the first “downloads”, I originally recorded the basic tracks for two albums’ worth of material over the last 10 years or so with different trios. One with Joel Taylor and Ernest Tibbs (the one and only recorded version of this amazing trio) and the other with one of favorite trios Gary Husband and Jimmy Johnson. All new music.''
''Due to record industry changes and some personal stuff I went through, I never completely finished them and so never released them. Some of you may know that the original title for one of these albums was “Snakes and Ladders”. “Snakes and Ladders” in now part of these tracks. None of this music has been fully mixed, edited and mastered until now. Your pledges allow me to finish these tracks, add some new solos, edit/tweak the tracks, mix and master them and then have an outlet that bypasses the traditional way I have released albums over the years.''
''As I finish each track(s) in the coming months, I will be releasing one or two each month over the next 6 months for download in high res formats. Towards the end of 2015 I hope to release ALL of the tracks from both unreleased albums in special cd and vinyl sets available only through Pledge. Each will have technical notes from me, rare pictures from my career, liner notes written by me, audiophile sound, amazing packaging and some other very cool surprises."''
'''August 31, 2015: First track posted'''. The track "Earth" was posted in two versions. One was a full version, the other was a mix without the guitar solo. Excerpt of Allan's update:
''"The reason I chose to do this first was simply because of the fact that it has been so long since I did a studio recording that I didn’t want to just dig up some older music (which actually may have been just fine). I decided to do an arrangement of Virgil’s tune Earth. I found it compelling so I re arranged the tune (not the form that remained the same) just a little re harmonization here and there. So there you have it. The other version is very different as you will hear. In fact I think I arranged myself out of it because of all the cheese I put behind the guitar solo first (that I had to play around). I had already done a previous solo that the computer didn’t like and torched it. Oh well. Don’t be fooled by the short (largely diatonic) solo theres plenty of guitar on the rest of the tunes. I just loved the piece..thats what this was about."''
'''January 20, 2016: Delays and apologies'''. Allan posted an apology on the delay of the next two planned tracks, which were "Lanyard Loop" and "Gas Lamp Blues". Take note that these two tracks were in fact never posted.
'''July 21, 2016: Final tracks posted'''. The final tracks were posted on PledgeMusic. At the same time, liner notes by Allan were posted. Allan explained that he originally wanted to release newly recorded solos on existing backing tracks. Since he was not able to finish these new recordings, he instead dug through his archives and released some old tapes. These included an old 70s demo, a previously unreleased recording from the IOU sessions, some alternate mixes of "Road Games" tracks, and two previously unreleased solo SynthAxe tracks.
In between these key posts, there are several posts signed by Allan, his production team, and PledgeMusic, which effectively are all apologies due to delays. After the announcement on July 21, 2016, two updates were posted from Allan's production team. The surviving snippets give the impression that Allan had parted ways with the production team:
'''December 19, 2016: An Open Letter to Allan's Fans'''. ''"PledgeMusic note: The following post is from the project creators, whom represented the artist at time of launch. This is not information from PledgeMusic, nor is it reflective of PledgeMusic. Hi ..."''
'''February 3, 2017: Final Update from John McC.''' ''"This is the last update from me in this campaign. I wanted to clear the air and leave on a positive note. I realize that some of you took offense at the last update I wrote. I apologize to the..."''
These were the last updates to be posted.  The last archived copy of the update page is from May 15, 2019. http://web.archive.org/web/20190515211043/https://www.pledgemusic.com/projects/allanholdsworth/updates
'''Discussions''': There was a discussion page on PledgeMusic were there was a lot of activity at times. A lot of the discussion centered on the frequent delays in delivery of tracks. A few discussion pages are archived. The most recent one seems to be June 15, 2017, and the oldest from May 29, 2015. You may be able to find information relevant to the album here, but take note that it's very hard to verify the accuracy of anything that's posted on an internet dicussion page. The last archived discussion page can be found at http://web.archive.org/web/20170415040118/http://www.pledgemusic.com:80/artists/allanholdsworth/discussion?project_id=9704
'''PledgeMusic products''': There were a number of products available for purchase for pledgers. The basic product was the "AccessPass" with digital tracks for download, as well as access to the updates of the PledgeMusic project site. Additionally, you could sign up for T-shirts, having your name printed in the CD booklet, getting a signed booklet, posters, and even a signed guitar. Judging from the discussion on the website, there were several delays in delivery of these products. I do not have verifiable information on these matters, however. A CD was ultimately printed and sent to those who pledged for it. How many of these that were actually made is hard to tell. You can have a look at the store here: http://web.archive.org/web/20160215193000/http://www.pledgemusic.com:80/projects/allanholdsworth/exclusives