Mistrzowie Gitary (Gitara i Bas 1998): Difference between revisions

A.H.: No, but it seems that everyone wants some classification. The category of "jazz" isn't strict. My father usually said that the word "jazz" was a label assigned to improvisation over harmonic and rhythmic structures, regardless of what it was. After styles developed, they became a traditional form. Now we have the second generation of traditional jazz, modern jazz. Styles like Bebop have become classics, and that's great; many really great musicians keep that genre alive. However, it's not something that resonates with me. I like to listen to it from time to time, but... it's not for me. A chord sequence is a chord sequence. On "None Too Soon," we recorded such songs. I didn't know any of them, so I learned them like any other melodies. The chords were the same, but I recorded the solo parts as if I were playing them in my original compositions. So there was no difference; only the format was different. I'm not interested in it in the long run... In the meantime, I asked Holdsworth if he could say a few words about his approach to harmony. "It's too difficult, let's drop it," he cut it short.