The Sixteen Men Of Tain (album): Difference between revisions
From Allan Holdsworth Information Center
No edit summary |
|||
| Line 71: | Line 71: | ||
http://threadoflunacy.blogspot.no/2017/10/26-sixteen-men-of-tain-1994-99.html | http://threadoflunacy.blogspot.no/2017/10/26-sixteen-men-of-tain-1994-99.html | ||
=Quotes on "16 Men summarized= | |||
"The Sixteen Men Of Tain" represented a departure from some of Holdsworth's previous work. It was a jazzier offering, featuring a trio format with Gary Novak on drums and Dave Carpenter on bass. | |||
The album's title was inspired by the Glenmorangie distillery in Tain, Scotland, known for its single malt whiskey. Holdsworth appreciated the hand-crafted, high-quality aspect of the whiskey, which he saw as resonating with the album's music. | |||
The album was recorded and produced in Holdsworth's home studio, where he was able to experiment with different sounds and textures, including acoustic bass, to create the desired musical atmosphere. | |||
Holdsworth emphasized that the choice of musicians could significantly influence the interpretation of his original music. He appreciated the unique qualities that Gary Novak and Dave Carpenter brought to the recording, contributing to a different direction and feel. | |||
While "The Sixteen Men Of Tain" was jazzier, Holdsworth always aimed to be himself in any musical environment, and his music was continually evolving. He enjoyed the creative process and the organic nature of his musical development. | |||
Holdsworth also discussed his gear and mentioned his use of Yamaha digital amplifiers (DG1000) during the recording of the album. | |||
=Quotes on "16 Men" | |||
==[[The Outter Limits: Allan Holdsworth's Out of Bounds Existence (guitar.com 1999)]]== | ==[[The Outter Limits: Allan Holdsworth's Out of Bounds Existence (guitar.com 1999)]]== | ||