Bruford: Difference between revisions
From Allan Holdsworth Information Center
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"Feels Good To me" additionally featured [[Annette Peacock]] and [[Kenny Wheeler]]. | "Feels Good To me" additionally featured [[Annette Peacock]] and [[Kenny Wheeler]]. | ||
=Quotes on Bruford= | |||
==[[Player Of The Month (Beat Instrumental 1978)]]== | ==[[Player Of The Month (Beat Instrumental 1978)]]== | ||
Bill '''Bruford'''’s solo album (out this month) is the latest of Holdsworth’s projects; the featured musicians also include Dave Stewart on keyboards and an American called Jeff Berlin on bass, whom Allan spent several minutes enthusing over ("He’s a killer. He’s gonna scare a lot of people. Really lethal." ) At the time of writing secret rehearsals are going on with a new band believed to include '''Bruford''', Holdsworth, Eddie Jobson and John Wetton. Whether this will result in a touring band, or in an album, or in both, is not known yet. Allan had been sworn to silence even regarding band personnel, and this information came from "another source". Let’s just hope it’s accurate. | Bill '''Bruford'''’s solo album (out this month) is the latest of Holdsworth’s projects; the featured musicians also include Dave Stewart on keyboards and an American called Jeff Berlin on bass, whom Allan spent several minutes enthusing over ("He’s a killer. He’s gonna scare a lot of people. Really lethal." ) At the time of writing secret rehearsals are going on with a new band believed to include '''Bruford''', Holdsworth, Eddie Jobson and John Wetton. Whether this will result in a touring band, or in an album, or in both, is not known yet. Allan had been sworn to silence even regarding band personnel, and this information came from "another source". Let’s just hope it’s accurate. | ||
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==[[The Unreachable Star (Guitar World 1989)]]== | ==[[The Unreachable Star (Guitar World 1989)]]== | ||
GW That piece [Joshua] is uncharacteristically straightforward. | GW That piece [Joshua] is uncharacteristically straightforward. | ||
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==[[Creating Imaginary Backdrops (Innerviews 1993)]]== | ==[[Creating Imaginary Backdrops (Innerviews 1993)]]== | ||
'''Bruford'''. [the band] | '''Bruford'''. [the band] | ||
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==[[No Secrets (Facelift 1994)]]== | ==[[No Secrets (Facelift 1994)]]== | ||
So to Soft Machine and Gong. Given Allan Holdsworth’s links with Nucleus, with the musicians in Sunship, and later with '''Bruford''', I long ago came to the conclusion that here was a musician very much aware of the dynasty of bands and musicians which can be traced right back to the mid-Sixties with the Wilde Flowers. Surely it wasn’t a coincidence that Allan Holdsworth first played in the Soft Machine and then Gong. And yet: "In both cases I had no prior knowledge of the bands. In Gong I knew nothing about Daevid Allen or anything else that had gone before. I don’t mean that in a bad way - I’d never heard it. Same with Soft Machine - I hadn’t heard what had happened before, which may be a good thing, because then you’re not trying to keep something alive. But there was a guy who was also a huge help to me starting out called Brian Blain, who works for the Musicians Union. He was absolutely wonderful - he helped me a lot. I think he really liked me and tried to put me in different situations. I remember we did some clinics - that’s how I met John Marshall. I guess John told the rest of the band about me, and then Brian Blain hooked up a couple of clinics with the Soft Machine, but they added a guitar player because at that time they didn’t have a guitar player. | So to Soft Machine and Gong. Given Allan Holdsworth’s links with Nucleus, with the musicians in Sunship, and later with '''Bruford''', I long ago came to the conclusion that here was a musician very much aware of the dynasty of bands and musicians which can be traced right back to the mid-Sixties with the Wilde Flowers. Surely it wasn’t a coincidence that Allan Holdsworth first played in the Soft Machine and then Gong. And yet: "In both cases I had no prior knowledge of the bands. In Gong I knew nothing about Daevid Allen or anything else that had gone before. I don’t mean that in a bad way - I’d never heard it. Same with Soft Machine - I hadn’t heard what had happened before, which may be a good thing, because then you’re not trying to keep something alive. But there was a guy who was also a huge help to me starting out called Brian Blain, who works for the Musicians Union. He was absolutely wonderful - he helped me a lot. I think he really liked me and tried to put me in different situations. I remember we did some clinics - that’s how I met John Marshall. I guess John told the rest of the band about me, and then Brian Blain hooked up a couple of clinics with the Soft Machine, but they added a guitar player because at that time they didn’t have a guitar player. | ||