Carl Verheyen: Difference between revisions

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Carl Verheyen is an American guitarist. Allan contributed a SynthAxe solo on his album "No Borders". Verheyen also played guitar on Chad Wackerman's album "The View", although he and Allan do not play on the same tracks.
Carl Verheyen is an American guitarist. Allan contributed a SynthAxe solo on his album "No Borders". Verheyen also played guitar on Chad Wackerman's album "The View", although he and Allan do not play on the same tracks.


==[[Allan Holdsworth - An interview (Atavachron 1994)]]==
==[[Allan Holdsworth: An interview (Atavachron 1994)]]==


KK: Is there a commercial... I mean, do you think... I’m just interested because of all these exotic guitars... and the tunings that you use. Do you feel that you’re operating in a world that the average guitarist [could make use of this]?
KK: Is there a commercial... I mean, do you think... I’m just interested because of all these exotic guitars... and the tunings that you use. Do you feel that you’re operating in a world that the average guitarist [could make use of this]?

Revision as of 20:01, 28 February 2018

Carl Verheyen is an American guitarist. Allan contributed a SynthAxe solo on his album "No Borders". Verheyen also played guitar on Chad Wackerman's album "The View", although he and Allan do not play on the same tracks.

Allan Holdsworth: An interview (Atavachron 1994)

KK: Is there a commercial... I mean, do you think... I’m just interested because of all these exotic guitars... and the tunings that you use. Do you feel that you’re operating in a world that the average guitarist [could make use of this]?

AH: Yeah, I do. I do. For example, because I...

KK: Is there anything beyond it? Because you hear these things in a very special way, and you have these special instruments tuned to your sensibility. Do you think there’s a larger audience...?

AH: Yeah, there is.

MP: Is there something to offer more musicians about it, other than just your little "nook" that you’re...

AH: Yeah, I think there is. Like for example, like one of the first C-guitars I had, that was tuned originally to C, was actually too short for the way I wanted it. I wanted it to be-I can’t remember the scale length-it was a little short. And I sold the guitar to Carl Verheyen, and he loves the guitar, and he’s using it-a lot, apparently. And he tunes it lower than I did; he tunes it down to a low-A, where for me the concept of the design was that it had to be correct at 25-1/2" to play an E. So in other words, that guitar, for me, was no good beyond C. But he tuned it down to A. So, I mean... there you go. You can take that as a good example of it; for me, the scale length was too short to tune to A, ‘cause I would have to put big, thick strings on it, and then I would have lost the character of the tone that I was trying to get. But for him, he didn’t. It was enough, you know... ‘cause each guy’s different-it’s a personal thing. So I’m not saying that they would be of any use to anybody used in the same way, but I think for example like, a C guitar? A C guitar could be used by someone else, tuned a lot lower, you know, instead of an A guitar.