Atavachron (album): Difference between revisions

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On his latest Enigma album, '''Atavachron''', the revolutionary guitarist takes one step further toward Mars with a new and revolutionary piece of hardware, the SynthAxe. The product of several years of painstaking research, the SynthAxe is England’s answer to the guitar synthesizer. But unlike that popular Roland product, the SynthAxe makes no sound of its own. What it is, basically, is a controller for synthesizers, capable of interfacing with Fairlights, Synclaviers, or any MIDI-equipped synths. This thing is strictly high-tech to the max, and Holdsworth feels it positively renders all other guitar synthesizers obsolete.
On his latest Enigma album, '''Atavachron''', the revolutionary guitarist takes one step further toward Mars with a new and revolutionary piece of hardware, the SynthAxe. The product of several years of painstaking research, the SynthAxe is England’s answer to the guitar synthesizer. But unlike that popular Roland product, the SynthAxe makes no sound of its own. What it is, basically, is a controller for synthesizers, capable of interfacing with Fairlights, Synclaviers, or any MIDI-equipped synths. This thing is strictly high-tech to the max, and Holdsworth feels it positively renders all other guitar synthesizers obsolete.


==[[...Where No Guitarist Has Gone Before... (Cymbiosis 1986)]]==
==[["...Where No Guitarist Has Gone Before..." (Cymbiosis 1986)]]==


His new album, '''Atavachron''', admirably adds to his achievements, and reveals Holdsworth’s continuing quest for his own unique sound. Like any true pioneer, Holdsworth is never content with the typical tools of his trade. Indeed, synthesizers and more recently, the MIDI (Musical Instrument Digital Interface), have opened up new avenues of musical exploration for him. You’d think with the myriad possibilities available through these technological little wonders, there’d be enough to keep anyone busy. This Englishman, as you already know (or will understand after reading the following interview), is not just anyone. Nor is his new instrument, the SynthAxe, just any musical instrument: there is the familiar fretboard that can be played by a guitarist, but it is a synthesizer controller, not a guitar.
His new album, '''Atavachron''', admirably adds to his achievements, and reveals Holdsworth’s continuing quest for his own unique sound. Like any true pioneer, Holdsworth is never content with the typical tools of his trade. Indeed, synthesizers and more recently, the MIDI (Musical Instrument Digital Interface), have opened up new avenues of musical exploration for him. You’d think with the myriad possibilities available through these technological little wonders, there’d be enough to keep anyone busy. This Englishman, as you already know (or will understand after reading the following interview), is not just anyone. Nor is his new instrument, the SynthAxe, just any musical instrument: there is the familiar fretboard that can be played by a guitarist, but it is a synthesizer controller, not a guitar.