Searching for purity (FUZZ magazine 2000): Difference between revisions

From Allan Holdsworth Information Center
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That the guitar's tone decays shortly after the attack, is known to everyone who’s searched for the perfect guitar sound, and for "endless sustain". In the early days of the rock, different approaches were used to achieving sustain; deforming the speaker, cranking the volume to max, or using a fuzz pedal. Allan Holdsworth's idea of sound was different, he wanted to "play a wind instrument, not a guitar" and what he heard was the tone flow and expressivity of the saxophone. After a few years of playing the guitar, he discovered that with the help of amplification distortion, a powerful vibrato and legato technique, a more expressive tone was within reach.
'''That the guitar's tone decays''' shortly after the attack, is known to everyone who’s searched for the perfect guitar sound, and for "endless sustain". In the early days of the rock, different approaches were used to achieving sustain; deforming the speaker, cranking the volume to max, or using a fuzz pedal. Allan Holdsworth's idea of sound was different, he wanted to "play a wind instrument, not a guitar" and what he heard was the tone flow and expressivity of the saxophone. After a few years of playing the guitar, he discovered that with the help of amplification distortion, a powerful vibrato and legato technique, a more expressive tone was within reach.


Allan Holdsworth's influence on many of today's guitarists is very big, though he has not become a household name. With his music and amazing techniques, he has become a "musician's musician" in many ways.
Allan Holdsworth's influence on many of today's guitarists is very big, though he has not become a household name. With his music and amazing techniques, he has become a "musician's musician" in many ways.