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Created page with " ==Strong stuff from the brewery (EQ magazine 1997)== Another item not in use at the Brewery is a patchbay. "I don't believe in them," Holdsworth declares. "Every time..." |
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Another item not in use at the Brewery is a patchbay. "I don't believe in them," Holdsworth declares. "Every time you run a signal through a connector, you screw up the sound. All the pieces of equipment in my studio are very mobile, so if I want to put an EQ or limiter on something, I can take it right to the source." Tape machines are also rented in for recording projects. "I'm a big fan of Mitsubishi 880's," says Holdsworth, "and, of course, analog machines. I'll sometimes rent an Otari. It depends on what the budget can go for." The guitarist owns a pair of Alesis ADAT machines, which he keeps in the studio mainly for writing purposes. The same goes for his modest MIDI rig, which is driven by Cubase software running on an old Atari ST computer, Holdsworth's Synth Axe MIDI controller, which was his main axe a few years ago, is now principally used to input data to the sequencer for writing applications or to trigger the occasional synth pad on records. While Allan was once mad for MIDI, the M-word now plays a fairly minor role in his music. "I quit on the MIDI stuff completely for a while, but I just got back into it recently. I don't do it a lot, though, and I don't want to do it a lot anymore; although it's cool for writing." | Another item not in use at the Brewery is a patchbay. "I don't believe in them," Holdsworth declares. "Every time you run a signal through a connector, you screw up the sound. All the pieces of equipment in my studio are very mobile, so if I want to put an EQ or limiter on something, I can take it right to the source." Tape machines are also rented in for recording projects. "I'm a big fan of Mitsubishi 880's," says Holdsworth, "and, of course, analog machines. I'll sometimes rent an Otari. It depends on what the budget can go for." The guitarist owns a pair of Alesis ADAT machines, which he keeps in the studio mainly for writing purposes. The same goes for his modest MIDI rig, which is driven by Cubase software running on an old Atari ST computer, Holdsworth's Synth Axe MIDI controller, which was his main axe a few years ago, is now principally used to input data to the sequencer for writing applications or to trigger the occasional synth pad on records. While Allan was once mad for MIDI, the M-word now plays a fairly minor role in his music. "I quit on the MIDI stuff completely for a while, but I just got back into it recently. I don't do it a lot, though, and I don't want to do it a lot anymore; although it's cool for writing." | ||
[[Category:Recording]] | |||
Latest revision as of 22:16, 2 December 2018
Strong stuff from the brewery (EQ magazine 1997)
Another item not in use at the Brewery is a patchbay. "I don't believe in them," Holdsworth declares. "Every time you run a signal through a connector, you screw up the sound. All the pieces of equipment in my studio are very mobile, so if I want to put an EQ or limiter on something, I can take it right to the source." Tape machines are also rented in for recording projects. "I'm a big fan of Mitsubishi 880's," says Holdsworth, "and, of course, analog machines. I'll sometimes rent an Otari. It depends on what the budget can go for." The guitarist owns a pair of Alesis ADAT machines, which he keeps in the studio mainly for writing purposes. The same goes for his modest MIDI rig, which is driven by Cubase software running on an old Atari ST computer, Holdsworth's Synth Axe MIDI controller, which was his main axe a few years ago, is now principally used to input data to the sequencer for writing applications or to trigger the occasional synth pad on records. While Allan was once mad for MIDI, the M-word now plays a fairly minor role in his music. "I quit on the MIDI stuff completely for a while, but I just got back into it recently. I don't do it a lot, though, and I don't want to do it a lot anymore; although it's cool for writing."
