Dave Carpenter: Difference between revisions
From Allan Holdsworth Information Center
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A cursory listen to any of Holdworth’s ten recordings since his 1979 debut as a leader, I.O.U., reveals a player of astonishing technique -- the stunning streams of notes, unparalleled harmonic sophistication, singular chordal voicings produced by seemingly impossible reaches on the fretboard along with his orchestral scope as an arranger and his improvisational daring. But on his latest release, The Sixteen Men of Tain, the reluctant guitar god has trumped himself. Fueled by the rhythm tandem of former Chick Corea drummer Gary Novak and in-demand LA upright bassist '''Dave''' '''Carpenter''', Holdworth has come up with his jazziest offering to date for the small, mail-order-only Gnarly Geezer Records (www.gnarlygeezer.com). The typically mind boggling legato chops are very much in tact on Tain, and the swinging, interactive dynamic underscores the Trane connection. | A cursory listen to any of Holdworth’s ten recordings since his 1979 debut as a leader, I.O.U., reveals a player of astonishing technique -- the stunning streams of notes, unparalleled harmonic sophistication, singular chordal voicings produced by seemingly impossible reaches on the fretboard along with his orchestral scope as an arranger and his improvisational daring. But on his latest release, The Sixteen Men of Tain, the reluctant guitar god has trumped himself. Fueled by the rhythm tandem of former Chick Corea drummer Gary Novak and in-demand LA upright bassist '''Dave''' '''Carpenter''', Holdworth has come up with his jazziest offering to date for the small, mail-order-only Gnarly Geezer Records (www.gnarlygeezer.com). The typically mind boggling legato chops are very much in tact on Tain, and the swinging, interactive dynamic underscores the Trane connection. | ||
Guitar.com: Are you still playing with the trio that’s on the record? | Guitar.com: Are you still playing with the trio that’s on the record? | ||
Allan Holdsworth: Since that recording, Gary Novak started working with Alanis Morrisette, so he’s gone doing that. I’m playing with '''Dave''' '''Carpenter''' still but we’ve got Joel Taylor on drums. Joel’s a really great musician. And it changes it again. Each guys brings something different. I’m also doing a tour of Europe with a different band -- Gary Husband and Jimmy Johnson. So that’s going to be pretty different, too. | |||
Guitar.com: I always felt your music was defined by the drummer. And I often wondered what these same tunes would sound like with, say, Billy Higgins on drums and '''Dave''' Holland on bass.
Holdsworth: It changes everything. The music actually stays in tact but the presentation of it changes it so much as well. Playing with Gary Novak and '''Dave''' '''Carpenter''' was just something I was enjoying. Plus, it was a lot less loud less volume. We toured with that group on and off for a couple of years and I really wanted to record it but I didn’t have a record deal. So at the end of one of the last tours we did together I felt, "I really would like to record this now while we’re still playing it." So we went into my home studio and recorded the basic tracks then, a couple of years ago. And I just shelved it. I stuck it off to the side and waited until such time as I could get a record deal to finish it. I’m glad I did that, actually. Because if I had waited until a deal came around [to record the basic tracks], it would’ve been different. I probably would have ended up doing it with different people. So I’m glad it happened how it happened. | Guitar.com: What was your attitude going into this project?
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Holdsworth: After doing the [1996] album None Too Soon, which was like a bunch of old jazz tunes [by the likes of John Coltrane, Joe Henderson, Django Reinhardt and Bill Evans] I wanted to pursue this direction but with my original music. The interpretation of my music varies depending on who’s playing it. I had been playing with Gary Novak and '''Dave''' '''Carpenter''', and I could hear that their interpretation was pushing into a different direction and it sounded really kind of natural. So I basically wrote the material that was on the new record with that in mind because I knew how Gary Novak would interpret it. He plays with a lot of energy but he can also play pretty soft. It’s different from the way Gary Husband’s interpretation would be and I was enjoying it. Also '''Dave''' '''Carpenter''', who always on the live gigs would play electric bass I knew he played acoustic bass and I thought that would help even further to create the kind of sound I was looking for. | |||
Guitar.com: I always felt your music was defined by the drummer. And I often wondered what these same tunes would sound like with, say, Billy Higgins on drums and '''Dave''' Holland on bass. | |||
Holdsworth: It changes everything. The music actually stays in tact but the presentation of it changes it so much as well. Playing with Gary Novak and '''Dave''' '''Carpenter''' was just something I was enjoying. Plus, it was a lot less loud less volume. We toured with that group on and off for a couple of years and I really wanted to record it but I didn’t have a record deal. So at the end of one of the last tours we did together I felt, "I really would like to record this now while we’re still playing it." So we went into my home studio and recorded the basic tracks then, a couple of years ago. And I just shelved it. I stuck it off to the side and waited until such time as I could get a record deal to finish it. I’m glad I did that, actually. Because if I had waited until a deal came around [to record the basic tracks], it would’ve been different. I probably would have ended up doing it with different people. So I’m glad it happened how it happened. | |||
==[[Allan Holdsworth interview (Music Maker 2003)]]== | ==[[Allan Holdsworth interview (Music Maker 2003)]]== | ||
