Gazeuse! (album): Difference between revisions

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{| class="wikitable"
{| class="wikitable"
|-
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! Side !! Track !! Composer !! Length
! !! Track !! Composer !! Length
|-
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| Side one || "Expresso" || Pierre Moerlen || 5:58
| 1. || "Expresso" || Pierre Moerlen || 5:58
|-
|-
| || "Night Illusion" || Allan Holdsworth || 3:42
|2. || "Night Illusion" || Allan Holdsworth || 3:42
|-
|-
| || "Percolations (Part I & II)" || Pierre Moerlen || 10:00
| 3.|| "Percolations (Part I & II)" || Pierre Moerlen || 10:00
|-
|-
| Side two || "Shadows Of" || Allan Holdsworth || 7:48
|4. || "Shadows Of" || Allan Holdsworth || 7:48
|-
|-
| || "Esnuria" || Pierre Moerlen || 8:00
|5. || "Esnuria" || Pierre Moerlen || 8:00
|-
|-
| || "Mireille" || Francis Moze || 4:10
|6. || "Mireille" || Francis Moze || 4:10
|}
|}



Revision as of 10:54, 2 October 2023

Track Composer Length
1. "Expresso" Pierre Moerlen 5:58
2. "Night Illusion" Allan Holdsworth 3:42
3. "Percolations (Part I & II)" Pierre Moerlen 10:00
4. "Shadows Of" Allan Holdsworth 7:48
5. "Esnuria" Pierre Moerlen 8:00
6. "Mireille" Francis Moze 4:10

Allan fits like a charm in this percussion-heavy fusion conglomerate led by Pierre Moerlen. Several nice guitar solos, including some acoustic work. Allan also adds steel guitar and violin parts! Strong tunes and musicianship all around.

https://www.facebook.com/AllanHoldsworthArchives/posts/484830815024150

http://threadoflunacy.blogspot.no/2017/06/7-gong.html

https://www.discogs.com/Gong-Gazeuse/release/1353559

https://www.youtube.com/watch?v=2NEH3UCXklg&list=PLEMzLROuENR3uC7LmSxK6M1nsN6Ji_9MX

Creating Imaginary Backdrops (Innerviews 1993)

Gong was good too. It was good fun. I didn’t speak French and they were always arguing in French, so I never knew what the hell they were arguing about! But, I think the band had a lot of potential, it was just never reached. I recently listened to Gazeuse! recently, because it was re-released on CD. I thought I was terrible on it, but the band sounded good. It still sounded pretty fresh—especially the drums. Pierre [Moerlen] sounded great—it sounded like it could have been done yesterday. That says a lot about his drumming.