U.K. (album): Difference between revisions
From Allan Holdsworth Information Center
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{| class="wikitable" | {| class="wikitable" | ||
|+U.K.:U.K. | |+ U.K.: U.K. | ||
|- | |- | ||
! | ! style="text-align:left;" | No. | ||
! style="text-align:left;" | Title | |||
! Title | ! style="text-align:left;" | Writer(s) | ||
! Writer(s) | ! style="text-align:left;" | Length | ||
! Length | |||
|- | |- | ||
| 1. | | 1. | ||
| Line 28: | Line 27: | ||
| 8:05 | | 8:05 | ||
|- | |- | ||
| 5. | |||
| | |||
| "Alaska" | | "Alaska" | ||
| Jobson | | Jobson | ||
| 4:45 | | 4:45 | ||
|- | |- | ||
| | | 6. | ||
| "Time to Kill" | | "Time to Kill" | ||
| Jobson, Wetton, Bruford | | Jobson, Wetton, Bruford | ||
| 4:55 | | 4:55 | ||
|- | |- | ||
| | | 7. | ||
| "Nevermore" | | "Nevermore" | ||
| Allan Holdsworth, Jobson, Wetton | | Allan Holdsworth, Jobson, Wetton | ||
| 8:09 | | 8:09 | ||
|- | |- | ||
| | | 8. | ||
| "Mental Medication" | | "Mental Medication" | ||
| Holdsworth, Bruford, Jobson | | Holdsworth, Bruford, Jobson | ||
| 7:26 | | 7:26 | ||
|} | |} | ||
Allan’s appearance on “U.K.” probably exposed him to a larger audience than any of his previous recordings, as U.K. was an all-star band, and the type of progressive rock U.K. played had a relatively large audience. “In The Dead Of Night” and “Thirty Years” feature jaw-dropping solos. “Nevermore” features a beautful acoustic intro and Allan trading licks with Eddie Jobson. “Mental Medication” is a relatively early feature of Allan’s chordal work, rarely heard on record before. There are some wonderful multitracked guitar at the end. Allan received co-composer credit on the latter two. | Allan’s appearance on “U.K.” probably exposed him to a larger audience than any of his previous recordings, as U.K. was an all-star band, and the type of progressive rock U.K. played had a relatively large audience. “In The Dead Of Night” and “Thirty Years” feature jaw-dropping solos. “Nevermore” features a beautful acoustic intro and Allan trading licks with Eddie Jobson. “Mental Medication” is a relatively early feature of Allan’s chordal work, rarely heard on record before. There are some wonderful multitracked guitar at the end. Allan received co-composer credit on the latter two. | ||
