The Sixteen Men Of Tain (album): Difference between revisions
From Allan Holdsworth Information Center
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This album introduced a new band: Dave Carpenter and Gary Novak, plus a new sound: This time, it was Allan’s own tunes, but with a softer, jazzier feel, which Novak heavily underscored. Perhaps due to the band feeling, as well as what seemed like new inspiration, it is often seen as one of Allan’s best albums. The title track and “The Drums Were Yellow” stand out as guitar statements, while “Above And Below” is one of the defintive Holdsworth chord melody ballads. | This album introduced a new band: Dave Carpenter and Gary Novak, plus a new sound: This time, it was Allan’s own tunes, but with a softer, jazzier feel, which Novak heavily underscored. Perhaps due to the band feeling, as well as what seemed like new inspiration, it is often seen as one of Allan’s best albums. The title track and “The Drums Were Yellow” stand out as guitar statements, while “Above And Below” is one of the defintive Holdsworth chord melody ballads. | ||
This album has also been released in a new edition with the added tracks "San Onofre" and "Material Unreal". | |||
Revision as of 19:38, 25 July 2017
This album introduced a new band: Dave Carpenter and Gary Novak, plus a new sound: This time, it was Allan’s own tunes, but with a softer, jazzier feel, which Novak heavily underscored. Perhaps due to the band feeling, as well as what seemed like new inspiration, it is often seen as one of Allan’s best albums. The title track and “The Drums Were Yellow” stand out as guitar statements, while “Above And Below” is one of the defintive Holdsworth chord melody ballads.
This album has also been released in a new edition with the added tracks "San Onofre" and "Material Unreal".
