One Of A Kind (album): Difference between revisions
From Allan Holdsworth Information Center
| Line 95: | Line 95: | ||
“For overdubs, we started to have Allan play in the control room while feeding his signal to the studio floor. I usually recorded one microphone close to his cabinet, then I'd set up another at some distance to pick up the room sound to a separate track so I could create a balance. I remember recording Allan playing his Strat in the control room as we monitored really loudly so he could control tone and feedback.” | “For overdubs, we started to have Allan play in the control room while feeding his signal to the studio floor. I usually recorded one microphone close to his cabinet, then I'd set up another at some distance to pick up the room sound to a separate track so I could create a balance. I remember recording Allan playing his Strat in the control room as we monitored really loudly so he could control tone and feedback.” | ||
Read the whole article at | Read the whole article at | ||
https://cloud.3dissue.com/196659/197012/230687/VGMAUG2021zyktgi7673D/?page=52 | https://cloud.3dissue.com/196659/197012/230687/VGMAUG2021zyktgi7673D/?page=52 | ||
=Links= | =Links= | ||
Ed's blog: http://threadoflunacy.blogspot.no/2017/07/12-bruford-one-of-kind-1979.html | Ed's blog: http://threadoflunacy.blogspot.no/2017/07/12-bruford-one-of-kind-1979.html | ||
