Bob Wackerman
Allan Holdsworth's Untold Secrets + Worthy Quotes (Guitar Player 1990)
But Allan is far too judicious to squander time on one element in the picture he wanted to present with Secrets, which is why he chose to mix the tracks at home, away from the financial demands of a studio schedule and the distractions of travel and industry. But this kind of music lives for the bandstand, and he was called away from the console for short tours that waylaid the project even further. "We did a tour with Vinnie Colaiuta and Jimmy that was just wonderful," he reports, "and in the same tour played with [drummer] Chad and [bassist] Bob Wackerman, and that was wonderful. Then we did a trip to Japan with [drummer] Gary Husband and Jimmy, which was amazing. I'm so stoked to be playing with these guys. As far as I know, they're probably all saying, ‘Give me the guitar.' In fact, I tell them that every time: I say, ‘Man, the only thing wrong with this band is the guitar player. There's probably a lot of people who would agree with that, and I'm with ‘em. They played so great on the alb um, and it makes me feel particularly good, knowing I gave them the kind of freedom I would enjoy."
"Peril Premonition"
This is a great piece by Chad Wackerman, so different from anything I would write. He recorded it on his sequencer at his mum's house, using real drums. It had this really perilous vibe; it always sounded like something was going to happen, as opposed to nothing keeping happening, which is what normally happens when I try to play. The solo began immediately - from the first second, beginning to end, it's completely improvised. Whichever one I used of the 20,000 takes I did, that's how it was from the outset.
We did it really differently. When Chad came down to the garage, we sequenced all the parts on the multi-track, and I soloed over that before they put on the bass and drums. That track has a really, really live feel, and it made me think about that for the future. Although I had done a couple of things with sequencers in the past, I had always waited to do the solo last. When I play with a backing track, I'm concentrating on what the other guys are playing, saying, "Oh I can't play this, because he did that. This time I just did what I wanted. Then I called Chad and his brother Bob, and they went down to Front Page Studio and played the drums and bass live, and that was it. I would have never thought it would work, but it did.
I want to reach people with my music – common people. (Sym Info 1987)
Together with drummer Chad – and bassist Bob Wackerman Holdsworth gave a performance from one hour which was creditable. Very varied, and with a lot of space for soloing by the diverse musicians, without ever threatening to become freaky. On guitar Holdsworth was in a better shape than ever and played a couple of solo's that are amongst the fastest I've ever heard, in which he didn't lose his sense of melody not even for a moment. The man stays a phenomenon. The other instrument handled by Holdsworth was the SynthAxe.
