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Creating Imaginary Backdrops (Innerviews 1993)
You're known for being highly critical of your own playing. What do you think of it on Wardenclyffe Tower? The problem I have with Wardenclyffe Tower is that the album was recorded a long time before it was mixed. It was recorded over a year prior to releasing it and the reason is that we recorded it and the scheduling was such that I could never get to mix it. I started to mix it one time and I wasn't happy with the mixes so I stopped and we went out on the road. I came back and tried it again. I usually go to Front Page [studios] in Costa Mesa and I mixed it there pretty quick. I thought it was going okay, and then when I listened to the mixes I wasn't happy with them, so I didn't release it. I was gonna do it again, but because of the amount of time that had gone by, I started to get really fed up. I was getting very tired of it. So I thought, having played the mixes to my friends and the guys, to release the mixes that I had done at Front Page, which is how the album is now. But I'm not completely happy with the way the mixes are now.
Makin’ Trax (Guitar 1994)
Well, I can do certain pieces - solo things - at home, but generally the whole band recorded at Front Page Studios in Costa Mesa [California]. Then we try to pick the tracks where the rhythm section is the happiest. If somebody wants to fix something, then we'll take care of that at home.
The Unreachable Star (Guitar World 1989)
GW: So they've driven you into reclusion your own home. HOLDSWORTH: [Laughs] No, I always do the guitar at home now; I can get a better sound here than I can in the studio, because I don't have to worry about wasting time for the other guys by trying to mike up the guitar. I've used that room [Front Page], but I really like a certain kind of room for recording guitar. I don't record in certain rooms because I usually can't get a sound I'd be really happy with. It might be okay - I mean, maybe nobody else would notice the difference, but I notice the difference.
