Bundles (album)

From Allan Holdsworth Information Center
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The style is somewhat psychedelic jazz-rock, very loose and riff-based. Allan plays a long, classic solo on “Hazard Profile”, and gets a nice sound out of his SG. “Gone Sailing” is short and sweet with Allan on 12-string acoustic.

https://www.facebook.com/AllanHoldsworthArchives/posts/193221927518375

http://threadoflunacy.blogspot.no/2017/06/4-soft-machine.html

Terry Theise’s electric guitar top ten (Guitar magazine 1976

He has recorded with Soft Machine on "Bundles", playing two extraordinary long solos. The first of these is on Hazard Profile, Pt. II and it is a monster. Rhythmically, it utilises a three note pattern which recurs at frequent intervals, and which starts the solo off. The amazing Holdsworth speed is well displayed, and it’s so smooth; the notes glide out rather than tear out (as is the case with McLaughlin). And the lines themselves are substantive, irrespective of the velocity at which they’re expelled. Modes with chromatically altered notes, dissonances, even the occasional blues lick, all are fused into a surging motion, rising and falling. At two points in the solo, the accompaniment shifts from the droning tonic to a chorus of changes which Holdsworth follows effortlessly. Ingeniously at one point he changes two notes in a repeating line which perfectly address the changing harmony underneath. He is also featured on the title track which leads into Land Of The Bag Snake, in which a repeated sixteen measure chorus is divided into four changes. The dynamics of the guitar solo lie in the tension which immediately precedes each change, i.e. as anticipation of it leads to execution of it, it is again a fine solo.

Mike Pachelli Show (video transcript 1991)

MP: And the album Bundles has a tune on it, it’s called Hazard Profile, it has a very long solo on it. Is that like the longest of yours to date.

AH: Haha, I don’t know I’m scared to listen to it now, that’s a long time ago, I don’t know. I think it was pretty long. I remember I tried afterwards I hated the solo, I remember, and I tried to overdub on it and it was worse so I just left it – had to leave it as it was.