Synthesizer: Difference between revisions

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==[[Player Of The Month (Beat Instrumental 1978)]]==
==[[Player Of The Month (Beat Instrumental 1978)]]==


But a '''synthsizer''' sounds a bit clockwork - mostly because everyone uses it the same way. There’s only been one or two really original '''synthesizer''' players."
But a '''synthesizer''' sounds a bit clockwork - mostly because everyone uses it the same way. There’s only been one or two really original '''synthesizer''' players."


==[[Allan Holdsworth (Beat Instrumental 1979)]]==
==[[Allan Holdsworth (Beat Instrumental 1979)]]==
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Because I long to be a wind player - I always wanted to play saxophone - when I go to a '''synthesizer''' to create a sound, that’s usually where I start. I’m not trying to replicate anything specific; I just say, "Well, let’s try and get a wind-instrument-from-Mars tone." So long as it’s a wind instrument, that’s all that matters. I quite liked the sound on "Spokes," which is just a lone Oberheim Xpander. In the middle, I had a second Xpander detuned a tone away from the first, and faded that in during the middle section where Jimmy and Vinnie are just completely reaming. I wanted to leave it kind of open there for the bass and drums to do a bit of savaging.
Because I long to be a wind player - I always wanted to play saxophone - when I go to a '''synthesizer''' to create a sound, that’s usually where I start. I’m not trying to replicate anything specific; I just say, "Well, let’s try and get a wind-instrument-from-Mars tone." So long as it’s a wind instrument, that’s all that matters. I quite liked the sound on "Spokes," which is just a lone Oberheim Xpander. In the middle, I had a second Xpander detuned a tone away from the first, and faded that in during the middle section where Jimmy and Vinnie are just completely reaming. I wanted to leave it kind of open there for the bass and drums to do a bit of savaging.


==[[Allan Holdsworth - An interview (Atavachron 1994)]]==
==[[Allan Holdsworth: An interview (Atavachron 1994)]]==


CH: To what extent has the "MIDI revolution" affected your music?
CH: To what extent has the "MIDI revolution" affected your music?
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AH: Oh yeah! There’s a lot. It would depend on '''synth'''esis... you know, the way it goes and how much the instruments develop. The sad part about it, of that thing, is because of the instruments that I’ve got now, is that I only have a SynthAxe that really doesn’t belong to me because I sold mine. But the next thing would be like, perhaps this instrument that Harvey Starr makes, which is like a keyboard. You know, totally like... it’s a keyboard, with like two necks. A guitar... it looks like a pedal-steel guitar. But there’s buttons instead of strings.
AH: Oh yeah! There’s a lot. It would depend on '''synth'''esis... you know, the way it goes and how much the instruments develop. The sad part about it, of that thing, is because of the instruments that I’ve got now, is that I only have a SynthAxe that really doesn’t belong to me because I sold mine. But the next thing would be like, perhaps this instrument that Harvey Starr makes, which is like a keyboard. You know, totally like... it’s a keyboard, with like two necks. A guitar... it looks like a pedal-steel guitar. But there’s buttons instead of strings.
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