The Sixteen Men Of Tain (album): Difference between revisions
From Allan Holdsworth Information Center
| Line 85: | Line 85: | ||
Have you used the DG1000 on any albums yet? I used it for everything on '''The 16 Men Of Tain''' . I simply didn’t need to use anything else. I realized that this could be the beginning of a whole new thing, something that amplifiers might be able to do in the future that they’ve never been able to do in the past. | Have you used the DG1000 on any albums yet? I used it for everything on '''The 16 Men Of Tain''' . I simply didn’t need to use anything else. I realized that this could be the beginning of a whole new thing, something that amplifiers might be able to do in the future that they’ve never been able to do in the past. | ||
==[[One Man Of | ==[[One Man Of 'Trane (Jazz Times 2000)]]== | ||
"The interpretation of my original music can be played in so many different ways, almost like different kinds of styles," he remarks. "And as I began playing with Gary Novak and Dave Carpenter a couple of years ago, I could hear that the interpretation of it was pushing into a different direction. And it sounded really kind of natural. So I basically wrote the material that was on this record with that in mind, because I knew that Gary Novak’s interpretation is a different kind of thing from the way that Gary Husband’s interpretation of it would be. He plays with a lot of energy but he can also play pretty soft, and I was enjoying that. [Novak] has a pretty amazing way of just making it feel good. It feels better than it does with other guys even though you can’t really put your finger on it." | "The interpretation of my original music can be played in so many different ways, almost like different kinds of styles," he remarks. "And as I began playing with Gary Novak and Dave Carpenter a couple of years ago, I could hear that the interpretation of it was pushing into a different direction. And it sounded really kind of natural. So I basically wrote the material that was on this record with that in mind, because I knew that Gary Novak’s interpretation is a different kind of thing from the way that Gary Husband’s interpretation of it would be. He plays with a lot of energy but he can also play pretty soft, and I was enjoying that. [Novak] has a pretty amazing way of just making it feel good. It feels better than it does with other guys even though you can’t really put your finger on it." | ||
