Allan's influences: Difference between revisions

From Allan Holdsworth Information Center
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That girl I mentioned who really liked "Distance Versus Desire - I was really kind of knocked out by that, and it opened my eyes to the fact that though it was played on an instrument that has caused me to be rejected by one half of the population, I was able to reach somebody else with it who knew very little about what I was doing normally So there was a classic example of a person who was exposed to something and liked it. If we could only get more creative people involved in radio stations or record companies, or people who actually knew what they were talking about! The whole thing's like a Monty Python sketch; it's so ridiculous that it's laughable. I couldn't go into a hospital and pretend to carve somebody up. Oh, pass me the scalpel, sir. But you've got people doing that in other jobs! I was fortunate enough one time to be talking to Michael Brecker about what's probably my favorite album of all time, Cityscapes, by Claus Ogerman and Brecker. God, what an awesome re cord that is, man; everybody should own it. It's a really subtle, deep record with wonderful orchestration and fantastic playing by Brecker, and the record company wanted to market it as "The Joy Of Sax." And you can't even find that record; I mean, God, who's in charge of this? It's so wrong, man. I used to always want to fight it, and I'll continue to fight, but I can't continue to fight and survive. Of course, I'll have to, and I'll continue by just doing what I want to do - that's the only way I know how to fight against it. Do what I want to do, refuse to conform, and get another job [laughs].
That girl I mentioned who really liked "Distance Versus Desire - I was really kind of knocked out by that, and it opened my eyes to the fact that though it was played on an instrument that has caused me to be rejected by one half of the population, I was able to reach somebody else with it who knew very little about what I was doing normally So there was a classic example of a person who was exposed to something and liked it. If we could only get more creative people involved in radio stations or record companies, or people who actually knew what they were talking about! The whole thing's like a Monty Python sketch; it's so ridiculous that it's laughable. I couldn't go into a hospital and pretend to carve somebody up. Oh, pass me the scalpel, sir. But you've got people doing that in other jobs! I was fortunate enough one time to be talking to Michael Brecker about what's probably my favorite album of all time, Cityscapes, by Claus Ogerman and Brecker. God, what an awesome re cord that is, man; everybody should own it. It's a really subtle, deep record with wonderful orchestration and fantastic playing by Brecker, and the record company wanted to market it as "The Joy Of Sax." And you can't even find that record; I mean, God, who's in charge of this? It's so wrong, man. I used to always want to fight it, and I'll continue to fight, but I can't continue to fight and survive. Of course, I'll have to, and I'll continue by just doing what I want to do - that's the only way I know how to fight against it. Do what I want to do, refuse to conform, and get another job [laughs].
   
   
==COLTRANES SOUND=
=COLTRANES SOUND=


==[[Allan Holdsworth (steveadelson.com 2000)]]==
==[[Allan Holdsworth (steveadelson.com 2000)]]==
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Any period or album of John Coltrane you particularly like?
Any period or album of John Coltrane you particularly like?
I like mostly all of it. But I particularly liked the album, my favorite, I actually was telling Ernest one of my favorites was an album called Coltrane's Sound. That was one of my favorite Coltrane albums. ‘The Night Has A Thousand Eyes' and then he playes my favorite tune on that record was the last one, it was ‘Satellite'.They played it as a trio.McCoy Tyner played on the whole record except that one track. And it's not because I don't love McCoy Tyner, I do, I think he's insane. But is was just that one piece of music, it was like.. jezus that's pretty awesome. Yeah, I still love that one.  
I like mostly all of it. But I particularly liked the album, my favorite, I actually was telling Ernest one of my favorites was an album called Coltrane's Sound. That was one of my favorite Coltrane albums. ‘The Night Has A Thousand Eyes' and then he playes my favorite tune on that record was the last one, it was ‘Satellite'.They played it as a trio.McCoy Tyner played on the whole record except that one track. And it's not because I don't love McCoy Tyner, I do, I think he's insane. But is was just that one piece of music, it was like.. jezus that's pretty awesome. Yeah, I still love that one.
 
=COPLAND=
=COPLAND=