Allan's influences: Difference between revisions

From Allan Holdsworth Information Center
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'''[[Guitarist's Guitarist (Jazz Times 1989)]]'''
'''[[Guitarist's Guitarist (Jazz Times 1989)]]'''
3 references coded 5


He's the guitarist most young guitarists place near the top of their list of favorite performers. He's a player whose own, favorite musician is John Coltrane, yet who was recommended for a major label record contract by rock star Eddie van Halen. He's a performer whose still-small, but intensely dedicated fans will go to almost any lengths to hear him play.
He's the guitarist most young guitarists place near the top of their list of favorite performers. He's a player whose own, favorite musician is John Coltrane, yet who was recommended for a major label record contract by rock star Eddie van Halen. He's a performer whose still-small, but intensely dedicated fans will go to almost any lengths to hear him play.
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Have you ever tried writing anything more overtly commercial?
Have you ever tried writing anything more overtly commercial?


"No. The biggest lesson I learnt was when I first heard John Coltrane. In the first records with Miles Davis there was Coltrane and Cannonball Adderley and it was the single most revolutionary thing to me. With Cannonball Adderley I could trace the path where it came from, but with Coltrane it was like he'd unplugged the pathway and tapped himself into a direct source. It was just as elevated, but he was coming from somewhere else. It was then I realised you have to elevate your playing, but you don't have to do everything that everybody else did before - again - before you can change something."  
"No. The biggest lesson I learnt was when I first heard John Coltrane. In the first records with Miles Davis there was Coltrane and Cannonball Adderley and it was the single most revolutionary thing to me. With Cannonball Adderley I could trace the path where it came from, but with Coltrane it was like he'd unplugged the pathway and tapped himself into a direct source. It was just as elevated, but he was coming from somewhere else. It was then I realised you have to elevate your playing, but you don't have to do everything that everybody else did before - again - before you can change something."
 
=JOHN SCOFIELD=
=JOHN SCOFIELD=